| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pride and Prejudice by Jane Austen: of her long absence, made her at length return home; and she
entered the house with the wish of appearing cheerful as usual,
and the resolution of repressing such reflections as must make
her unfit for conversation.
She was immediately told that the two gentlemen from Rosings
had each called during her absence; Mr. Darcy, only for a few
minutes, to take leave-- but that Colonel Fitzwilliam had been
sitting with them at least an hour, hoping for her return, and
almost resolving to walk after her till she could be found.
Elizabeth could but just AFFECT concern in missing him; she
really rejoiced at it. Colonel Fitzwilliam was no longer an
 Pride and Prejudice |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gorgias by Plato: pleasure only, as in the Republic they are expelled the State, because they
are imitators, and minister to the weaker side of human nature. That
poetry is akin to rhetoric may be compared with the analogous notion, which
occurs in the Protagoras, that the ancient poets were the Sophists of their
day. In some other respects the Protagoras rather offers a contrast than a
parallel. The character of Protagoras may be compared with that of
Gorgias, but the conception of happiness is different in the two dialogues;
being described in the former, according to the old Socratic notion, as
deferred or accumulated pleasure, while in the Gorgias, and in the Phaedo,
pleasure and good are distinctly opposed.
This opposition is carried out from a speculative point of view in the
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tao Teh King by Lao-tze: tower of nine storeys rose from a (small) heap of earth; the journey
of a thousand li commenced with a single step.
3. He who acts (with an ulterior purpose) does harm; he who takes hold
of a thing (in the same way) loses his hold. The sage does not act
(so), and therefore does no harm; he does not lay hold (so), and
therefore does not lose his bold. (But) people in their conduct of
affairs are constantly ruining them when they are on the eve of
success. If they were careful at the end, as (they should be) at the
beginning, they would not so ruin them.
4. Therefore the sage desires what (other men) do not desire, and does
not prize things difficult to get; he learns what (other men) do not
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Muse of the Department by Honore de Balzac: adventures in this country have given me a serious prejudice against
its manners and customs.
" 'Well, now, since my arrival in Madrid, I have already been, not
indeed the hero, but the accomplice of a dangerous intrigue, as dark
and mysterious as any romance by Lady (Mrs.) Radcliffe. I am apt to
attend to my presentiments, and I am off to-morrow. Murat will not
refuse me leave, for, thanks to our varied services, we always have
influential friends.'
" 'Since you mean to cut your stick, tell us what's up,' said an old
Republican colonel, who cared not a rap for Imperial gentility and
choice language.
 The Muse of the Department |