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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

had had a cup of tea, and Harmony, sitting on a stool, had mended the rent so that it could hardly be seen. Mrs. Boyer, softened by the tea and by the proximity of Harmony's lovely head bent over her task, grew slightly more expansive.

"I ought to tell you something, Miss Wells," she said. "You remember my other visit?"

"Perfectly." Harmony bent still lower.

"I did you an injustice at that time. I've been sorry ever since. I thought that there was no Dr. Gates. I'm sorry, but I'm not going to deny it. People do things in this wicked city that they wouldn't do at home. I confess I misjudged Peter Byrne. You can

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

as the nearest object in a prospect which was closed outwardly by the changeless horizon of the sea.

The streaming rays, too, flooded her face, now bent towards Elfride with a hard and bitter expression that the solemnity of the place raised to a tragic dignity it did not intrinsically possess. The girl resumed her normal attitude with an added disquiet.

Elfride's emotion was cumulative, and after a while would assert itself on a sudden. A slight touch was enough to set it free--a poem, a sunset, a cunningly contrived chord of music, a vague imagining, being the usual accidents of its exhibition. The


A Pair of Blue Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

observed that they all tend to throw a light on the nature of temperance, and that, unlike the distinction of Critias between (Greek), none of them are merely verbal quibbles, it is implied that this question, although it has not yet received a solution in theory, has been already answered by Charmides himself, who has learned to practise the virtue of self-knowledge which philosophers are vainly trying to define in words. In a similar spirit we might say to a young man who is disturbed by theological difficulties, 'Do not trouble yourself about such matters, but only lead a good life;' and yet in either case it is not to be denied that right ideas of truth may contribute greatly to the improvement of character.

The reasons why the Charmides, Lysis, Laches have been placed together and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Facino Cane by Honore de Balzac:

penetrating to the soul without neglecting the body; or rather, a power of grasping external details so thoroughly that they never detained me for a moment, and at once I passed beyond and through them. I could enter into the life of the human creatures whom I watched, just as the dervish in the /Arabian Nights/ could pass into any soul or body after pronouncing a certain formula.

If I met a working man and his wife in the streets between eleven o'clock and midnight on their way home from the Ambigu Comique, I used to amuse myself by following them from the Boulevard du Pont aux Choux to the Boulevard Beaumarchais. The good folk would begin by talking about the play; then from one thing to another they would come to