Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Kelsey Grammer

The first excerpt represents the past or something you must release, and is drawn from Ann Veronica by H. G. Wells:

people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. Some indeed carried themselves, dressed themselves even, rather as foreign visitors from the land of "Looking Backward" and "News from Nowhere" than as the indigenous Londoners they were. For the most part these were detached people: men practising the plastic arts, young writers, young men in employment, a very large proportion of girls and women--self- supporting women or girls of the student class. They made a stratum into which Ann Veronica was now plunged up to her neck;

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Far From the Madding Crowd by Thomas Hardy:

establishment which existed for him there. At this time -- the July preceding the September in which we find at Greenhill Fair -- he fell in with a travelling circus which was performing in the outskirts of a northern town. Troy introduced himself to the manager by taming a restive horse of the troupe, hitting a suspended apple with pistol-- bullet fired from the animal's back when in full gallop, and other feats. For his merits in these -- all more or less based upon his ex- periences as a dragoon-guardsman -- Troy was taken into the company, and the play of Turpin was prepared with


Far From the Madding Crowd
The third excerpt represents the future or something you must embrace, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

The position was unpleasantly exposed. One or two carts went by upon the road; and as long as daylight lasted I concealed myself, for all the world like a hunted Camisard, behind my fortification of vast chestnut trunk; for I was passionately afraid of discovery and the visit of jocular persons in the night. Moreover, I saw that I must be early awake; for these chestnut gardens had been the scene of industry no further gone than on the day before. The slope was strewn with lopped branches, and here and there a great package of leaves was propped against a trunk; for even the leaves are serviceable, and the peasants use them in winter by way of fodder for their animals. I picked a meal in fear and trembling,