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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

of an ass, were about the size of a goose, slate-colour on the body, white beneath, with a yellow line round their throats; they allowed themselves to be killed with a stone, never trying to escape. But the fog did not lift, and at eleven the sun had not yet shown itself. Its absence made me uneasy. Without it no observations were possible. How, then, could we decide whether we had reached the pole? When I rejoined Captain Nemo, I found him leaning on a piece of rock, silently watching the sky. He seemed impatient and vexed. But what was to be done? This rash and powerful man could not command the sun as he did the sea. Noon arrived without the orb of day showing itself for an instant. We could not even tell its position behind the curtain of fog; and soon

20,000 Leagues Under the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

Halket himself. And when he'd finished and got sane a bit, he said Halket was to walk up and down there all day and keep watch on the nigger. And he gave orders that if the big troop didn't come up tonight, that he was to be potted first thing in the morning, and that Halket was to shoot him."

The Englishman started: "What did Halket say?"

"Nothing. He's been walking there with his gun all day."

The Englishman watched with his clear eyes the spot where Halket's head appeared and disappeared.

"Is the nigger hanging there now?"

"Yes. The Captain said no one was to go near him, or give him anything to eat or drink all day: but--" The Colonial glanced round where the trooper

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Almayer's Folly by Joseph Conrad:

late; we will finish our talk to-morrow."

Dain bent low trying to convey in a last glance towards the girl the bold expression of his overwhelming admiration. The next minute he was shaking Almayer's hand with grave courtesy, his face wearing a look of stolid unconcern as to any feminine presence. His men filed off, and he followed them quickly, closely attended by a thick-set, savage-looking Sumatrese he had introduced before as the commander of his brig. Nina walked to the balustrade of the verandah and saw the sheen of moonlight on the steel spear-heads and heard the rhythmic jingle of brass anklets as the men moved in single file towards the jetty. The

Almayer's Folly
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Underdogs by Mariano Azuela:

Demetrio and Luis Cervantes quickly seize the vacant seats.

Suddenly a woman who has stood up holding a child all the way from Irapuato, faints. A civilian takes the child in his arms. The others pretend to have seen noth- ing. Some women, traveling with the soldiers, occupy two or three seats with baggage, dogs, cats, parrots. Some of the men wearing Texan hats laugh at the plump arms and pendulous breasts of the woman who fainted.

"Gentlemen, a well-dressed man stole my suitcase at the station in Silao! All my life's savings . . . I haven't

The Underdogs