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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Message by Honore de Balzac:

knows how many stages beyond Montargis, would have reaped a harvest of flaming epithet, rapturous description, and very tender confidences. Our bashful fears, our silent interjections, our blushes, as we met each other's eyes, were expressive with an eloquence, a boyish charm, which I have ceased to feel. One must remain young, no doubt, to understand youth.

Well, we understood one another to admiration on all the essential points of passion. We had laid it down as an axiom at the very outset, that in theory and practice there was no such piece of driveling nonsense in this world as a certificate of birth; that plenty of women were younger at forty than many a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Marriage Contract by Honore de Balzac:

marriage?"

"It is very awkward."

"I am glad I came here to-night," said a lady. "I am now convinced of the necessity of the pomps of marriage and of wedding fetes; a scene like this is very bare and sad. If I may say what I think," she added, in a whisper to her neighbor, "this marriage seems to me indecent."

Madame Evangelista took Natalie in her carriage and accompanied her, alone, to Paul's house.

"Well, mother, it is done!"

"Remember, my dear child, my last advice, and you will be a happy woman. Be his wife, and not his mistress."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

cause they need a dose of bitter medicine, and you hope they will be the better for it. I understand you, my dear. You have spirit enough, but you don't get it up often. That is where they make their mis- take. Often the meek are meek from choice, and they are the ones to beware of. I don't blame you for trying it. And you can have Effie and welcome. I warn you that she is a little wearing. Of course she can't help her affliction, poor child, but it is dreadful. I have had her taught. She can read and write very well now, poor child, and she is not

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

design towards Paris and at twilight; found himself opposite his house in the Champs-Elysees. All was dark; one solitary, feeble light was burning in the porter's lodge, about forty paces distant from the house, as Baptistin had said. Monte Cristo leaned against a tree, and with that scrutinizing glance which was so rarely deceived, looked up and down the avenue, examined the passers-by, and carefully looked down the neighboring streets, to see that no one was concealed. Ten minutes passed thus, and he was convinced that no one was watching him. He hastened to the side-door with Ali, entered hurriedly, and by the servants' staircase, of which


The Count of Monte Cristo