| The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac: spirits as I am that I am writing at this moment. As a citizen and
as a friend his integrity was absolute; he abhorred deception and
led the most exemplary of lives. The version which the Chevalier
Baylon gave of these facts is, therefore, entirely without
justification; the visit stated to have been made to Swedenborg in
the night-time by Count H---- and Count T---- is hereby
contradicted. In conclusion, the writer of the letter may rest
assured that I am not a follower of Swedenborg. The love of truth
alone impels me to give this faithful account of a fact which has
been so often stated with details that are entirely false. I
certify to the truth of what I have written by adding my
 Seraphita |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anthem by Ayn Rand: Then we leapt to the table.
We seized our box, we shoved them
aside, and we ran to the window. We
turned and we looked at them for the last
time, and a rage, such as it is not fit for
humans to know, choked our voice in our throat.
"You fools!" we cried. "You fools! You thrice-damned fools!"
We swung our fist through the windowpane,
and we leapt out in a ringing rain of glass.
We fell, but we never let the box fall
from our hands. Then we ran. We ran
 Anthem |
The third excerpt represents the future or something you must embrace, and is drawn from Songs of Innocence and Experience by William Blake: He doth feel the sorrow too.
Think not thou canst sigh a sigh,
And thy Maker is not by:
Think not thou canst weep a tear,
And thy Maker is not near.
O He gives to us His joy,
That our grief He may destroy:
Till our grief is fled and gone
He doth sit by us and moan.
SONGS OF EXPERIENCE
INTRODUCTION
 Songs of Innocence and Experience |