|The first excerpt represents the past or something you must release, and is drawn from Domestic Peace by Honore de Balzac:
expression, "Leave us."
The Baron, ill-pleased at seeing the Countess under the spell of the
dangerous sibyl who had drawn her to her side gave one of those looks
which a man can give--potent over a blinded heart, but simply
ridiculous in the eyes of a woman who is beginning to criticise the
man who has attracted her.
"Do you think you can play the Emperor?" said Madame de Vaudremont,
turning three-quarters of her face to fix an ironical sidelong gaze on
Martial was too much a man of the world, and had too much wit and
acumen, to risk breaking with a woman who was in favor at Court, and
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ann Veronica by H. G. Wells:
hockey-sticks and a tennis-racket, and upon the walls Ann
Veronica, by means of autotypes, had indicated her proclivities
in art. But Miss Stanley took no notice of these things. She
walked straight across to the wardrobe and opened it. There,
hanging among Ann Veronica's more normal clothing, was a skimpy
dress of red canvas, trimmed with cheap and tawdry braid, and
short--it could hardly reach below the knee. On the same peg and
evidently belonging to it was a black velvet Zouave jacket. And
then! a garment that was conceivably a secondary skirt.
Miss Stanley hesitated, and took first one and then another of
the constituents of this costume off its peg and surveyed it.
|The third excerpt represents the future or something you must embrace, and is drawn from Laches by Plato:
better ask our friend Laches what his feeling may be.
LACHES: I have but one feeling, Nicias, or (shall I say?) two feelings,
about discussions. Some would think that I am a lover, and to others I may
seem to be a hater of discourse; for when I hear a man discoursing of
virtue, or of any sort of wisdom, who is a true man and worthy of his
theme, I am delighted beyond measure: and I compare the man and his words,
and note the harmony and correspondence of them. And such an one I deem to
be the true musician, attuned to a fairer harmony than that of the lyre, or
any pleasant instrument of music; for truly he has in his own life a
harmony of words and deeds arranged, not in the Ionian, or in the Phrygian
mode, nor yet in the Lydian, but in the true Hellenic mode, which is the