| The first excerpt represents the past or something you must release, and is drawn from What is Man? by Mark Twain: bit in its mouth and goes slanting for the curbstone, defying all
prayers and all your powers to change its mind--your heart stands
still, your breath hangs fire, your legs forget to work, straight
on you go, and there are but a couple of feet between you and the
curb now. And now is the desperate moment, the last chance to
save yourself; of course all your instructions fly out of your
head, and you whirl your wheel AWAY from the curb instead of
TOWARD it, and so you go sprawling on that granite-bound
inhospitable shore. That was my luck; that was my experience. I
dragged myself out from under the indestructible bicycle and sat
down on the curb to examine.
 What is Man? |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce: downstream -- nearer to safety. The soldiers had almost
finished reloading; the metal ramrods flashed all at once in
the sunshine as they were drawn from the barrels,
turned in the air, and thrust into their sockets. The two
sentinels fired again, independently and ineffectually.
The hunted man saw all this over his shoulder; he was now
swimming vigorously with the current. His brain was as
energetic as his arms and legs; he thought with the rapidity
of lightning:
"The officer," he reasoned, "will not make that martinet's
error a second time. It is as easy to dodge a volley as a
 An Occurrence at Owl Creek Bridge |
The third excerpt represents the future or something you must embrace, and is drawn from Emma by Jane Austen: the woman he had just married, the woman he had wanted to marry,
and the woman whom he had been expected to marry, she must allow him
to have the right to look as little wise, and to be as much affectedly,
and as little really easy as could be.
"Well, Miss Woodhouse," said Harriet, when they had quitted
the house, and after waiting in vain for her friend to begin;
"Well, Miss Woodhouse, (with a gentle sigh,) what do you think of her?--
Is not she very charming?"
There was a little hesitation in Emma's answer.
"Oh! yes--very--a very pleasing young woman."
"I think her beautiful, quite beautiful."
 Emma |