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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

Mormon teachin', but mostly he still hated Frank Erne so infernally that he made a deal with Oldrin' to take you an' bring you up as an infamous rustler an' rustler's girl. The idea was to break Frank Erne's heart if he ever came to Utah--to show him his daughter with a band of low rustlers. Well--Oldrin' took you, brought you up from childhood, an' then made you his Masked Rider. He made you infamous. He kept that part of the contract, but he learned to love you as a daughter an' never let any but his own men know you was a girl. I heard him say that with my own ears, an' I saw his big eyes grow dim. He told me how he had guarded you always, kept you locked up in his absence, was always

Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philosophy 4 by Owen Wister:

Florence!" was his exclamation. "Gee-whittaker, Mary, if you ain't the most unmitigated sight!" And wind then left him.

Mary's reply arrived in tones like a hornet stinging slowly and often. "Mr. Diggs, I have put up with many things, and am expecting to put up with many more. But you'd behave better if you consorted with gentlemen."

The door slammed and she was gone. Not a word to either of the boys, not even any notice of them. It was thorough, and silence consequently held them for a moment.

"He didn't mean anything," said Bertie, growing partially responsible.

"Didn't mean anything," repeated Billy, like a lesson.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

permission. She reminded me of an old dog I once knew, who would never suffer the master of the house to dance, out of an exaggerated sense of the dignity of that master's place and carriage.

After the young people were gone there was but one more incident ere I went to bed. I heard a party of children go up and down the dark street for a while, singing together sweetly. And the mystery of this little incident was so pleasant to me that I purposely refrained from asking who they were, and wherefore they went singing at so late an hour. One can rarely be in a pleasant place without meeting with some pleasant accident. I have a conviction that these children would not have gone singing before the inn unless the inn-parlour had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Unsocial Socialist by George Bernard Shaw:

I can show your own hand for the very deception you accused me--without proof--of having practiced on you."

"You are clever, and can twist things. What pleasure does it give you to make me miserable?"

"Ha!" he exclaimed, in an abrupt, sardonic laugh. "I don't know; you bewitch me, I think."

Agatha made no reply, but walked on quickly to the end of the conservatory, where the others were waiting for them.

"Where have you been, and what have you been doing all this time?" said Jane, as Trefusis came up, hurrying after Agatha. "I don't know what you call it, but I call it perfectly