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Today's Stichomancy for Kid Rock

The first excerpt represents the past or something you must release, and is drawn from Essays of Francis Bacon by Francis Bacon:

hand; as chestnuts, walnuts, pineapples, olives, dates, plums, cherries, wild honey, and the like; and make use of them. Then consider what victual or esculent things there are, which grow speedily, and within the year; as parsnips, carrots, turnips, onions, radish, artichokes of Hierusalem, maize, and the like. For wheat, barley, and oats, they ask too much labor; but with pease and beans you may begin, both because they ask less labor, and be- cause they serve for meat, as well as for bread. And of rice, likewise cometh a great increase, and it is


Essays of Francis Bacon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

overthrown brain? It was undoubtedly, in spite of the difference, the same hand that had penned the first pages of the book. A few characteristic turns of the writing were plainly to be seen in both parts of the story. But the ink was quite different also. The first pages had been written with a delicate violet ink, the later leaves were penned with a black ink of uneven quality, of the kind used by poor people who write very seldom. The words of this later portion of the book were blurred in many places, as if the writer had not been able to dry them properly before she turned the leaves. She therefore had had neither blotting paper nor sand at her disposal.

And then the weird title!

The third excerpt represents the future or something you must embrace, and is drawn from All's Well That Ends Well by William Shakespeare:

That in their kind they speak it; only sin And hellish obstinacy tie thy tongue, That truth should be suspected. Speak, is't so? If it be so, you have wound a goodly clue; If it be not, forswear't: howe'er, I charge thee, As heaven shall work in me for thine avail, To tell me truly.

HELENA. Good madam, pardon me!

COUNTESS. Do you love my son?