| The first excerpt represents the past or something you must release, and is drawn from The Figure in the Carpet by Henry James: lived, he would have given more striking and, it is to be hoped,
more fruitful examples. He at least was, in Vereker's words, a
little demon of subtlety. We had begun by disputing, but I soon
saw that without my stirring a finger his infatuation would have
its bad hours. He would bound off on false scents as I had done -
he would clap his hands over new lights and see them blown out by
the wind of the turned page. He was like nothing, I told him, but
the maniacs who embrace some bedlamitical theory of the cryptic
character of Shakespeare. To this he replied that if we had had
Shakespeare's own word for his being cryptic he would at once have
accepted it. The case there was altogether different - we had
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: they were to blame because their obvious desire to have her tell
that she was Agnes W. led her on. They deceived her first
because they misrepresented themselves and did not say they were
police officials. Nevertheless, she makes much of how she hates
her false position, being registered under a false name and
figuring as a deceiver.
The significant points in the long story of Inez, as told to us
in the days of our first acquaintance with her, are worth giving.
(At this period she was with us thoroughly consistent; at all
times she has appeared self-possessed and coherent.) Inez states
she is 17 and has just come from a town in Tennessee where she
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The third excerpt represents the future or something you must embrace, and is drawn from The Rape of Lucrece by William Shakespeare: This picture she advisedly perus'd,
And chid the painter for his wondrous skill;
Saying, some shape in Sinon's was abus'd;
So fair a form lodged not a mind so ill:
And still on him she gaz'd; and gazing still,
Such signs of truth in his plain face she spied,
That she concludes the picture was belied.
'It cannot be,' quoth she, 'that so much guile'--
(She would have said) 'can lurk in such a look;'
But Tarquin's shape came in her mind the while,
And from her tongue 'can lurk' from 'cannot' took;
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