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Today's Stichomancy for Kim Kardashian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Sharer by Joseph Conrad:

I heard them pulling about in the dark, hailing, and so on, but after a bit they gave up. Everything quieted down and the anchorage became still as death. I sat down on a stone and began to think. I felt certain they would start searching for me at daylight. There was no place to hide on those stony things-- and if there had been, what would have been the good? But now I was clear of that ship, I was not going back. So after a while I took off all my clothes, tied them up in a bundle with a stone inside, and dropped them in the deep water on the outer side of that islet. That was suicide enough for me. Let them think what they liked, but I didn't mean to drown myself.


The Secret Sharer
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

desire to kill Lorquas Ptomel, and less to be a jed among the Tharks.

I accompanied Sola and Dejah Thoris in a search for new quarters, which we found in a building nearer the audience chamber and of far more pretentious architecture than our former habitation. We also found in this building real sleeping apartments with ancient beds of highly wrought metal swinging from enormous gold chains depending from the marble ceilings. The decoration of the walls was most elaborate, and, unlike the frescoes in the other buildings I had examined, portrayed many human figures in the compositions.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

of curiosity. I began to think that my predecessor was a remarkably peculiar old man.

But I had to hear stranger things yet. It came out that this stern, grim, wind-tanned, rough, sea- salted, taciturn sailor of sixty-five was not only an artist, but a lover as well. In Haiphong, when they got there after a course of most unprofitable peregrinations (during which the ship was nearly lost twice), he got himself, in Mr. Burns' own words, "mixed up" with some woman. Mr. Burns had had no personal knowledge of that affair, but


The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

redwood aisles and across the open glades to the pasture-lands below. The trail became a cow-path, the cow-path became a wood-road, which later joined with a hay-road; and they rode down through the low-rolling, tawny California hills to where a set of bars let out on the county road which ran along the bottom of the valley. The girl sat her horse while the man dismounted and began taking down the bars.

"No--wait!" she cried, before he had touched the two lower bars.

She urged the mare forward a couple of strides, and then the animal lifted over the bars in a clean little jump. The man's eyes sparkled, and he clapped his hands.

"You beauty! you beauty!" the girl cried, leaning forward impulsively in the