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Today's Stichomancy for Kim Kardashian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Taming of the Shrew by William Shakespeare:

It was the friar of orders grey, As he forth walked on his way: Out, you rogue! you pluck my foot awry:

[Strikes him.]

Take that, and mend the plucking off the other. Be merry, Kate. Some water, here; what, ho! Where's my spaniel Troilus? Sirrah, get you hence And bid my cousin Ferdinand come hither:

[Exit SERVANT.]

One, Kate, that you must kiss and be acquainted with. Where are my slippers? Shall I have some water?


The Taming of the Shrew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anthem by Ayn Rand:

We know not whether they looked at us also, but we think they did. Then one day they came close to the hedge, and suddenly they turned to us. They turned in a whirl and the movement of their body stopped, as if slashed off, as suddenly as it had started. They stood still as a stone, and they looked straight upon us, straight into our eyes. There was no smile on their face, and no welcome. But their face was taut, and their eyes


Anthem
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

afterwards) had not yet reached the scene; what there was of them was spread among the bents towards Gillane. It was quite an affair to call them in and bring them over, and the boat was making speed. They were besides but cowardly fellows: a mere leash of Highland cattle-thieves, of several clans, no gentleman there to be the captain and the more they looked at Alan and me upon the beach, the less (I must suppose) they liked the look of us.

Whoever had betrayed Alan it was not the captain: he was in the skiff himself, steering and stirring up his oarsmen, like a man with his heart in his employ. Already he was near in, and the boat securing - already Alan's face had flamed crimson with the excitement of his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

persistently, and she had to respond with all her might. It was as if her whole soul and body and sex had to rouse up and pass into theme stories of his. This thrilled her and absorbed her.

Of physical life they lived very little. She had to superintend the house. But the housekeeper had served Sir Geoffrey for many years, arid the dried-up, elderly, superlatively correct female you could hardly call her a parlour-maid, or even a woman...who waited at table, had been in the house for forty years. Even the very housemaids were no longer young. It was awful! What could you do with such a place, but leave it alone! All these endless rooms that nobody used, all the Midlands routine, the mechanical cleanliness and the mechanical order!


Lady Chatterley's Lover