| The first excerpt represents the past or something you must release, and is drawn from A Hero of Our Time by M.Y. Lermontov: with her.
"Tell me, my beauty," I asked, "what were
you doing on the roof to-day?"
"I was looking to see from what direction the
wind was blowing."
"What did you want to know for?"
"Whence the wind blows comes happiness."
"Well? Were you invoking happiness with
your song?"
"Where there is singing there is also happi-
ness."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Laches by Plato: hour of his death there never was a difference between us; and now it comes
back to me, at the mention of your name, that I have heard these lads
talking to one another at home, and often speaking of Socrates in terms of
the highest praise; but I have never thought to ask them whether the son of
Sophroniscus was the person whom they meant. Tell me, my boys, whether
this is the Socrates of whom you have often spoken?
SON: Certainly, father, this is he.
LYSIMACHUS: I am delighted to hear, Socrates, that you maintain the name
of your father, who was a most excellent man; and I further rejoice at the
prospect of our family ties being renewed.
LACHES: Indeed, Lysimachus, you ought not to give him up; for I can assure
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The third excerpt represents the future or something you must embrace, and is drawn from Aeneid by Virgil: A cov'ring for his cheeks, and grinn'd around his head,
He clench'd within his hand an iron prong,
And tower'd above the rest, conspicuous in the throng.
Him soon she singled from the flying train,
And slew with ease; then thus insults the slain:
"Vain hunter, didst thou think thro' woods to chase
The savage herd, a vile and trembling race?
Here cease thy vaunts, and own my victory:
A woman warrior was too strong for thee.
Yet, if the ghosts demand the conqu'ror's name,
Confessing great Camilla, save thy shame."
 Aeneid |