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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche:

unto me from the clear heaven; this star standeth in my heaven even in dark nights.

I, however, am a blesser and a Yea-sayer, if thou be but around me, thou pure, thou luminous heaven! Thou abyss of light!--into all abysses do I then carry my beneficent Yea-saying.

A blesser have I become and a Yea-sayer: and therefore strove I long and was a striver, that I might one day get my hands free for blessing.

This, however, is my blessing: to stand above everything as its own heaven, its round roof, its azure bell and eternal security: and blessed is he who thus blesseth!

For all things are baptized at the font of eternity, and beyond good and


Thus Spake Zarathustra
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

of the palace ahead, and the fantastic silhouette of the distant impassable peaks on the right. And ever the small birds and the fountains sang, while the perfume of rare blossoms spread like a veil over that incredible garden. No other human presence was there, and Carter was glad it was so. Then they turned and descended again the onyx alley of steps, for the palace itself no visitor may enter; and it is not well to look too long and steadily at the great central dome, since it is said to house the archaic father of all the rumoured Shantak-birds, and to send out queer dreams to the curious. After that the captain took Carter to


The Dream-Quest of Unknown Kadath
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Black Beauty by Anna Sewell:

the day before, and there were only master and mistress and her maid. Ginger and I brought the carriage up to the hall door for the last time. The servants brought out cushions and rugs and many other things; and when all were arranged master came down the steps carrying the mistress in his arms (I was on the side next to the house, and could see all that went on); he placed her carefully in the carriage, while the house servants stood round crying.

"Good-by, again," he said; "we shall not forget any of you," and he got in. "Drive on, John."

Joe jumped up, and we trotted slowly through the park and through the village, where the people were standing at their doors

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Riverman by Stewart Edward White:

swung to the pier, his teeth shining like ivory in his black face.

"Yas, suh!" said he.

"Harvey," said Captain Marsh briskly, "we're going to try to get a line aboard those vessels out there. It's dangerous. You don't have to go if you don't want to. Will you go?"

Harvey removed his cap and scratched his wool. The grin faded from his good-natured countenance.

"You-all goin', suh?" he asked.

"Of course."

"I reckon I'll done haif to go, too," said Harvey simply. Without further word he swung lightly back to the uneasy craft below him,