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Today's Stichomancy for Kirk Douglas

The first excerpt represents the past or something you must release, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

sheet of Uncle Sam's letter paper with what (at the distance of a few yards) looked very much like poetry -- used now and then to speak to me of books, as matters with which I might possibly be conversant. This was my all of lettered intercourse; and it was quite sufficient for my necessities. No longer seeking or caring that my name should THE CUSTOM-HOUSE 37


The Scarlet Letter
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Badge of Courage by Stephen Crane:

The youth looked at the men nearest him, and saw, for the most part, expressions of deep inter- est, as if they were investigating something that had fascinated them. One or two stepped with overvaliant airs as if they were already plunged into war. Others walked as upon thin ice. The greater part of the untested men appeared quiet and absorbed. They were going to look at war, the red animal--war, the blood-swollen god. And they were deeply engrossed in this march.

As he looked the youth gripped his outcry at


The Red Badge of Courage
The third excerpt represents the future or something you must embrace, and is drawn from An Unsocial Socialist by George Bernard Shaw:

civilized men, is allowed to do what muscular force does among schoolboys and savages. The schoolboy proposition is: 'I am stronger than you, therefore you shall fag for me.' Its grown up form is: 'I am cleverer than you, therefore you shall fag for me.' The state of things we produce by submitting to this, bad enough even at first, becomes intolerable when the mediocre or foolish descendants of the clever fellows claim to have inherited their privileges. Now, no men are greater sticklers for the arbitrary dominion of genius and talent than your artists. The great painter is not satisfied with being sought after and admired because his hands can do more than ordinary hands, which