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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Brother of Daphne by Dornford Yates:

"I believe you did it on purpose to get into conversation with him. Where's Berry?"

At that moment the gentleman in question walked across the lawn towards us.

"Thank Heaven!" he said when he saw me. "I'm so glad you're back. I've run out of your cigarettes."

I handed him my case in silence.

"It's curious," he said, "how used one can get to inferior tobacco."

Tea appeared in serial form. After depositing the three-storied cake dish holder- or whatever the thing is called- with a

The Brother of Daphne
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

prisoner. The body of the great porcupine was now as smooth as leather, except for the holes where the quills had been, for it had shot every single quill in that one wicked shower.

"Let me go!" it shouted angrily. "How dare you put your foot on Chiss?"

"I'm going to do worse than that, old boy," replied the Shaggy Man. "You have annoyed travelers on this road long enough, and now I shall put an end to you."

"You can't!" returned Chiss. "Nothing can

The Patchwork Girl of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Duchess of Padua by Oscar Wilde:

Calling it back grow hoarse; but you, my love, Have you no word of pity even for me? O Guido, Guido, will you not kiss me once? Drive me not to some desperate resolve: Women grow mad when they are treated thus: Will you not kiss me once?


[holding up knife] I will not kiss you Until the blood grows dry upon this knife, [Wildly] Back to your dead!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

circle above his forehead, and not showing a single hair. It was the strictest mourning, the gloomiest habit a man could wear. But for a long sword that hung by his side from a leather belt which could be seen where his surcoat hung open, a priest would have hailed him as a brother. Though of no more than middle height, he appeared tall; and, looking him in the face he seemed a giant.

"The clock has struck, the boat is waiting; will you not come?"

At these words, spoken in bad French, but distinctly audible in the silence, a little noise was heard in the other top room, and the young man came down as lightly as a bird.

When Godefroid appeared, the lady's face turned crimson; she trembled,