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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

bearer went down the hill-side to the village to engage coolies for the next day's march. The sun had set, and the night-winds were beginning to croon among the rocks. Dumoise leaned on the railing of the verandah, waiting for his bearer to return. The man came back almost immediately after he had disappeared, and at such a rate that Dumoise fancied he must have crossed a bear. He was running as hard as he could up the face of the hill.

But there was no bear to account for his terror. He raced to the verandah and fell down, the blood spurting from his nose and his face iron-gray. Then he gurgled:--"I have seen the Memsahib! I have seen the Memsahib!"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Sentimental Journey by Laurence Sterne:

You must turn, Monsieur, said she, going with me to the door of the shop, and pointing the way down the street I was to take, - you must turn first to your left hand, - MAIS PRENEZ GARDE -there are two turns; and be so good as to take the second - then go down a little way and you'll see a church: and, when you are past it, give yourself the trouble to turn directly to the right, and that will lead you to the foot of the Pont Neuf, which you must cross - and there any one will do himself the pleasure to show you. -

She repeated her instructions three times over to me, with the same goodnatur'd patience the third time as the first; - and if TONES AND MANNERS have a meaning, which certainly they have, unless to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

it was American, you would be crying it down all day. It's Anglomania, common Anglomania," he cried, with growing irritation.

"I will not make money by risking men's lives," was my ultimatum.

"Great Caesar! isn't all speculation a risk? Isn't the fairest kind of shipowning to risk men's lives? And mining--how's that for risk? And look at the elevator business--there's danger, if you like! Didn't I take my risk when I bought her? She might have been too far gone; and where would I have been? Loudon," he cried, "I tell you the truth: you're too full of refinement for this

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarecrow of Oz by L. Frank Baum:

to lose."

"Ah!" said the Bumpy Man, nodding his bumpy head. "This," he announced, in a solemn, impressive voice, "is the famous Land of Mo."

"Oh!" exclaimed the sailor and the girl, both in one breath. But, never having heard of the Land of Mo, they were no wiser than before.

"I thought that would startle you," remarked the Bumpy Man, well pleased, as he resumed his stirring. The Ork watched him a while in silence and then asked:

"Who may you be?"


The Scarecrow of Oz