| The first excerpt represents the past or something you must release, and is drawn from The Great Gatsby by F. Scott Fitzgerald: "What's funny?"
She turned her head as there was a light dignified knocking at the front
door. I went out and opened it. Gatsby, pale as death, with his hands
plunged like weights in his coat pockets, was standing in a puddle of
water glaring tragically into my eyes.
With his hands still in his coat pockets he stalked by me into the
hall, turned sharply as if he were on a wire, and disappeared into the
living-room. It wasn't a bit funny. Aware of the loud beating of my own
heart I pulled the door to against the increasing rain.
For half a minute there wasn't a sound. Then from the living-room I
heard a sort of choking murmur and part of a laugh, followed by Daisy's
 The Great Gatsby |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucolics by Virgil: Whom I had conquered still to keep the goat.
Which in the piping-match my pipe had won!
You may not know it, but the goat was mine.
MENALCAS
You out-pipe him? when had you ever pipe
Wax-welded? in the cross-ways used you not
On grating straw some miserable tune
To mangle?
DAMOETAS
Well, then, shall we try our skill
Each against each in turn? Lest you be loth,
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The third excerpt represents the future or something you must embrace, and is drawn from My Aunt Margaret's Mirror by Walter Scott: permitted to exhibit his art, was arrived. The fumes again mixed
together, and dissolved gradually from observation; the vaults
and columns of the church rolled asunder, and disappeared; and
the front of the mirror reflected nothing save the blazing
torches and the melancholy apparatus placed on the altar or table
before it.
The doctor led the ladies, who greatly required his support, into
the apartment from whence they came, where wine, essences, and
other means of restoring suspended animation, had been provided
during his absence. He motioned them to chairs, which they
occupied in silence--Lady Forester, in particular, wringing her
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