Today's Stichomancy for Kurt Cobain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

anything. They aren't ever serious about anything, except showing off on motor-bikes and dancing at the Palais-de-danse in Sheffield. You can't MAKE them serious. The serious ones dress up in evening clothes and go off to the Pally to show off before a lot of girls and dance these new Charlestons and what not. I'm sure sometimes the bus'll be full of young fellows in evening suits, collier lads, off to the Pally: let alone those that have gone with their girls in motors or on motor-bikes. They don't give a serious thought to a thing--save Doncaster races, and the Derby: for they all of them bet on every race. And football! But even football's not what it was, not by a long chalk. It's too much like hard work, they say. No, they'd rather be off on

Lady Chatterley's Lover

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

peculiarities of Paris that one really does not know how the time goes. Life is so alarmingly rapid. I kiss the mother and you and David more tenderly than ever."

The name of Flicoteaux is engraved on many memories. Few indeed were the students who lived in the Latin Quarter during the last twelve years of the Restoration and did not frequent that temple sacred to hunger and impecuniosity. There a dinner of three courses, with a quarter bottle of wine or a bottle of beer, could be had for eighteen sous; or for twenty-two sous the quarter bottle becomes a bottle. Flicoteaux, that friend of youth, would beyond a doubt have amassed a colossal fortune but for a line on his bill of fare, a line which

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

I thought you would have been proud to see me Lord Illingworth's secretary.

MRS. ARBUTHNOT. I do not think you would be suitable as a private secretary to Lord Illingworth. You have no qualifications.

LORD ILLINGWORTH. I don't wish to seem to interfere for a moment, Mrs. Arbuthnot, but as far as your last objection is concerned, I surely am the best judge. And I can only tell you that your son has all the qualifications I had hoped for. He has more, in fact, than I had even thought of. Far more. [MRS. ARBUTHNOT remains silent.] Have you any other reason, Mrs. Arbuthnot, why you don't wish your son to accept this post?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

'I think you might have told me, Alan,' said Hughie sulkily, 'and not have let me make such a fool of myself.'

'Well, to begin with, Hughie,' said Trevor, 'it never entered my mind that you went about distributing alms in that reckless way. I can understand your kissing a pretty model, but your giving a sovereign to an ugly one - by Jove, no! Besides, the fact is that I really was not at home to-day to any one; and when you came in I didn't know whether Hausberg would like his name mentioned. You know he wasn't in full dress.'

'What a duffer he must think me!' said Hughie.

'Not at all. He was in the highest spirits after you left; kept