| The first excerpt represents the past or something you must release, and is drawn from The Message by Honore de Balzac: peristyle; his indifference had surprised me, but my amazement
increased when we came back and found him seated philosophically
at table. He had eaten pretty nearly all the dinner, to the huge
delight of his little daughter; the child was smiling at her
father's flagrant infraction of the Countess' rules. The man's
odd indifference was explained to me by a mild altercation which
at once arose with the canon. The Count was suffering from some
serious complaint. I cannot remember now what it was, but his
medical advisers had put him on a very severe regimen, and the
ferocious hunger familiar to convalescents, sheer animal
appetite, had overpowered all human sensibilities. In that little
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett: very early and made a good start just at daylight. It's been a
lovely mornin' on the water. William thought he'd better fetch
across beyond Bird Rocks, rowin' the greater part o' the way; then
we sailed from there right over to the landin', makin' only one
tack. William'll be in again for me to-morrow, so I can come back
here an' rest me over night, an' go to meetin' to-morrow, and have
a nice, good visit."
"She was just havin' her breakfast," said Mrs. Todd, who had
listened eagerly to the long explanation without a word of
disapproval, while her face shone more and more with joy. "You
just sit right down an' have a cup of tea and rest you while we
|
The third excerpt represents the future or something you must embrace, and is drawn from Madame Firmiani by Honore de Balzac: "I haven't my spectacles; read it aloud."
Octave began:--
"'My beloved--'"
"Hey, then you are still intimate with her?" interrupted his uncle.
"Why yes, of course."
"You haven't parted from her?"
"Parted!" repeated Octave, "we are married."
"Heavens!" cried Monsieur de Bourbonne, "then why do you live in a
garret?"
"Let me go on."
"True--I'm listening."
|