| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from What is Man? by Mark Twain: our lives besides.
Richard III.; two WHITE squares. (Fig. 22.)
That is not a very good lion, but Richard was not a very
good king. You would think that this lion has two heads, but
that is not so; one is only a shadow. There would be shadows for
the rest of him, but there was not light enough to go round, it
being a dull day, with only fleeting sun-glimpses now and then.
Richard had a humped back and a hard heart, and fell at the
battle of Bosworth. I do not know the name of that flower in the
pot, but we will use it as Richard's trade-mark, for it is said
that it grows in only one place in the world--Bosworth Field--and
 What is Man? |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells: there was a different problem.
`I saw the heads of two orange-clad people coming through the
bushes and under some blossom-covered apple-trees towards me. I
turned smiling to them and beckoned them to me. They came, and
then, pointing to the bronze pedestal, I tried to intimate my
wish to open it. But at my first gesture towards this they
behaved very oddly. I don't know how to convey their expression
to you. Suppose you were to use a grossly improper gesture to a
delicate-minded woman--it is how she would look. They went off
as if they had received the last possible insult. I tried a
sweet-looking little chap in white next, with exactly the same
 The Time Machine |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac: humanity, which, according to certain philosophers, is making
progress, look on the art of waiting for dead men's shoes as a
step in the right direction? To this art we owe several honorable
professions, which open up ways of living on death. There are
people who rely entirely on an expected demise; who brood over
it, crouching each morning upon a corpse, that serves again for
their pillow at night. To this class belong bishops' coadjutors,
cardinals' supernumeraries, tontiniers, and the like. Add to the
list many delicately scrupulous persons eager to buy landed
property beyond their means, who calculate with dry logic and in
cold blood the probable duration of the life of a father or of a
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Journal of the Plague Year by Daniel Defoe: infection there was, as it is easy to suppose, a very great fright among
the people, and consequently a general stop of trade, except in
provisions and necessaries of life; and even in those things, as there
was a vast number of people fled and a very great number always sick,
besides the number which died, so there could not be above two-
thirds, if above one-half, of the consumption of provisions in the city
as used to be.
It pleased God to send a very plentiful year of corn and fruit, but not
of hay or grass - by which means bread was cheap, by reason of the
plenty of corn. Flesh was cheap, by reason of the scarcity of grass;
but butter and cheese were dear for the same reason, and hay in the
 A Journal of the Plague Year |