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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

At last she left the room, and descended the stairs. The dining-room door was ajar, and in the silence of the resting household the voice and the words were recognizable before she reached the lower flight. She stood transfixed. Her own words greeted her in Henchard's voice, like spirits from the grave.

Lucetta leant upon the banister with her cheek against the smooth hand-rail, as if she would make a friend of it in her misery. Rigid in this position, more and more words fell successively upon her ear. But what amazed her most was the tone of her husband. He spoke merely in the accents of a


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton:

and, strangely even to herself, she was glad of the postponement. A leaden weight of shame hung on her, benumbing every other sensation, and she bade him good- bye with hardly a sign of emotion. His reiterated promises to return seemed almost wounding. She had no doubt that he intended to come back; her doubts were far deeper and less definable.

Since the fanciful vision of the future that had flitted through her imagination at their first meeting she had hardly ever thought of his marrying her. She had not had to put the thought from her mind; it had

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson:

been, after all, nine tenths a life of effort, virtue and control, it had been much less exercised and much less exhausted. And hence, as I think, it came about that Edward Hyde was so much smaller, slighter and younger than Henry Jekyll. Even as good shone upon the countenance of the one, evil was written broadly and plainly on the face of the other. Evil besides (which I must still believe to be the lethal side of man) had left on that body an imprint of deformity and decay. And yet when I looked upon that ugly idol in the glass, I was conscious of no repugnance, rather of a leap of welcome. This, too, was myself. It seemed natural and human. In my eyes it bore a livelier image of the


The Strange Case of Dr. Jekyll and Mr. Hyde
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe:

Buyck. I might take offence at that.

Jetter. It was not intended for you, countryman. When we got rid of the Spanish garrison, we breathed freely again.

Soest. Faith! They pressed on you heavily enough.

Jetter. Mind your own business.

Soest. They came to sharp quarters with you.

Jetter. Hold your tongue.

Soest. They drove him out of kitchen, cellar, chamber--and bed. (They laugh.)

Jetter. You are a blockhead.

Buyck. Peace, sirs! Must the soldier cry peace? Since you will not hear


Egmont