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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Damien by Robert Louis Stevenson:

for my informants were men speaking with the plainness of the laity; and I heard plenty of complaints of Damien. Why was this never mentioned? and how came it to you in the retirement of your clerical parlour?

But I must not even seem to deceive you. This scandal, when I read it in your letter, was not new to me. I had heard it once before; and I must tell you how. There came to Samoa a man from Honolulu; he, in a public-house on the beach, volunteered the statement that Damien had "contracted the disease from having connection with the female lepers"; and I find a joy in telling you how the report was welcomed in a public-house. A man sprang to his feet; I am not at

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

made such a declaration, I should have thought it as capricious as that of the clergyman, who, without vindicating his false reading, preferred, from habit's sake, his old Mumpsimus to the modern Sumpsimus."

"Well," answered my aunt, "I must explain my inconsistency in this particular by comparing it to another. I am, as you know, a piece of that old-fashioned thing called a Jacobite; but I am so in sentiment and feeling only, for a more loyal subject never joined in prayers for the health and wealth of George the Fourth, whom God long preserve! But I dare say that kind-hearted sovereign would not deem that an old woman did him much injury if

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

her lodger was a minister, she did two things, with equal and immediate fervour; she brought out the big Bible and asked him to conduct evening worship, and she produced a bottle of old Glenlivet and begged him to "guard against takkin' cauld by takkin' a glass of speerits."

It was a very pleasant fortnight at Melvich. Mistress Macpherson was so motherly that "takkin' cauld" was reduced to a permanent impossibility. The other men at the inn proved to be very companionable fellows, quite different from the monsters of insolence that my anger had imagined in the moment of disappointment. The shooting party kept the table abundantly

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

running round the sledge, treading on his heels; he made larger and larger circles, getting further and further away from the sledge, and it looked as though he were dancing; at last he came back and began to turn off to the right.

"You've got off the road, eh?" asked Startchenko.

"It's all ri-ight. . . ."

Then there was a little village and not a single light in it. Again the forest and the fields. Again they lost the road, and again the coachman got down from the box and danced round the sledge. The sledge flew along a dark avenue, flew swiftly on. And the heated trace horse's hoofs knocked against the sledge .


The Schoolmistress and Other Stories