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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Babbitt by Sinclair Lewis:

this new house, planned to comfort them through a happy old age--chokingly they had said that it might be the last home either of them would ever have. Yet his most softening remembrance of these dear moments did not keep him from barking at dinner, "Yep, going out f' few hours. Don't sit up for me."

He did not dare now to come home drunk, and though he rejoiced in his return to high morality and spoke with gravity to Pete and Fulton Bemis about their drinking, he prickled at Myra's unexpressed criticisms and sulkily meditated that a "fellow couldn't ever learn to handle himself if he was always bossed by a lot of women."

He no longer wondered if Tanis wasn't a bit worn and sentimental. In contrast to the complacent Myra he saw her as swift and air-borne and radiant, a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

expected it. She said the beautiful trip to England was most about spoiled for her; she didn't know HOW she was ever going to be happy there, knowing the mother and the children warn't ever going to see each other no more -- and then busted out bitterer than ever, and flung up her hands, and says:

"Oh, dear, dear, to think they ain't EVER going to see each other any more!"

"But they WILL -- and inside of two weeks -- and I KNOW it!" says I.

Laws, it was out before I could think! And before


The Adventures of Huckleberry Finn
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jolly Corner by Henry James:

might have flourished for him had he not, for weal or woe, abandoned it. On this impression he did ever the same thing; he put his stick noiselessly away in a corner - feeling the place once more in the likeness of some great glass bowl, all precious concave crystal, set delicately humming by the play of a moist finger round its edge. The concave crystal held, as it were, this mystical other world, and the indescribably fine murmur of its rim was the sigh there, the scarce audible pathetic wail to his strained ear, of all the old baffled forsworn possibilities. What he did therefore by this appeal of his hushed presence was to wake them into such measure of ghostly life as they might still enjoy. They

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

The sun was banking up flaming pillars of rose and gold in the west when the little "Virginie" rounded Cat Island on her way home, and the quick Southern twilight was fast dying into darkness when she was tied up to the pier and the merry-makers sprang off with baskets of fish. Annette had distinguished herself by catching one small shark, and had immediately ceased to fish and devoted her attention to her fisherman and his line. Philip had angled fiercely, landing trout, croakers, sheepshead, snappers in bewildering luck. He had broken each hopeless captive's neck savagely, as though they were personal enemies. He did not look happy as they landed, though paeans of praise


The Goodness of St. Rocque and Other Stories