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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Before Adam by Jack London:

remembered seeing the wizened old hunter poke the fire with a stick. I poked the fire with a stick, turning up masses of live coals and clouds of white ashes. This was great sport, and soon we were coated white with the ashes.

It was inevitable that we should imitate the Fire-Men in replenishing the fire. We tried it first with small pieces of wood. It was a success. The wood flamed up and crackled, and we danced and gibbered with delight. Then we began to throw on larger pieces of wood. We put on more and more, until we had a mighty fire. We

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the Cage by Henry James:

than where it was simply and meagrely nesting. The air felt that stir, he had to acknowledge, much less at Chalk Farm than in the district in which his beloved so oddly enjoyed her footing. She gave him, she could see, a restless sense that these might be familiarities not to be sacrificed; germs, possibilities, faint foreshowings--heaven knew what--of the initiation it would prove profitable to have arrived at when in the fulness of time he should have his own shop in some such paradise. What really touched him-- that was discernible--was that she could feed him with so much mere vividness of reminder, keep before him, as by the play of a fan, the very wind of the swift bank-notes and the charm of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

"That's right, brother. And just look at collars, frinstance--"

"Hey! Wait!" the fat man protested. "What's the matter with collars? I'm selling collars! D' you realize the cost of labor on collars is still two hundred and seven per cent. above--"

They voted that if their old friend the fat man sold collars, then the price of collars was exactly what it should be; but all other clothing was tragically too expensive. They admired and loved one another now. They went profoundly into the science of business, and indicated that the purpose of manufacturing a plow or a brick was so that it might be sold. To them, the Romantic Hero was no longer the knight, the wandering poet, the cowpuncher, the aviator, nor the brave young district attorney, but the great

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aesop's Fables by Aesop:

marriage to her parents. The old people did not know what to say. They did not like to give their daughter to the Lion, yet they did not wish to enrage the King of Beasts. At last the father said: "We feel highly honoured by your Majesty's proposal, but you see our daughter is a tender young thing, and we fear that in the vehemence of your affection you might possibly do her some injury. Might I venture to suggest that your Majesty should have your claws removed, and your teeth extracted, then we would gladly consider your proposal again." The Lion was so much in love that he had his claws trimmed and his big teeth taken out. But when he came again to the parents of the young girl they simply laughed in


Aesop's Fables