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Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

of intuition and experience, and all through the 'Upanishads' you find these extraordinary flashes embedded in the midst of a great deal of what we should call a rather rubbishy kind of argument, and a good deal of merely conventional Brahmanical talk of those days. But the people who wrote and spoke thus had an intuition into the heart of things which I make bold to say very few people in modern life have. These 'Upanisihads,' however various their subject, practically agree on one point --in the definition of the "self." They agree in saying: that the self of each man is continuous with and in a sense identical with the Self of the universe. Now that seems an extraordinary


Pagan and Christian Creeds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:

is like their own, such as bees or wasps or ants, or back again into the form of man, and just and moderate men may be supposed to spring from them.

Very likely.

No one who has not studied philosophy and who is not entirely pure at the time of his departure is allowed to enter the company of the Gods, but the lover of knowledge only. And this is the reason, Simmias and Cebes, why the true votaries of philosophy abstain from all fleshly lusts, and hold out against them and refuse to give themselves up to them,--not because they fear poverty or the ruin of their families, like the lovers of money, and the world in general; nor like the lovers of power and honour, because they dread the dishonour or disgrace of evil deeds.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Age of Innocence by Edith Wharton:

of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other. Lawrence Lefferts occurred to him as the husband who had most completely realised this enviable ideal. As became the high-priest of form, he had formed a wife so completely to his own convenience that, in the most conspicuous moments of his frequent love-affairs with other men's wives, she went about in smiling unconsciousness, saying that "Lawrence was so frightfully strict"; and had been known to blush indignantly, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

of the poem, to depict the wrath of Achilleus and the unutterable woes which it entailed upon the Greeks The plot of this primitive Achilleis is entirely contained in Books I., VIII., and XI.-XXII.; and, in Mr. Grote's opinion, the remaining books injure the symmetry of this plot by unnecessarily prolonging the duration of the Wrath, while the embassy to Achilleus, in the ninth book, unduly anticipates the conduct of Agamemnon in the nineteenth, and is therefore, as a piece of bungling work, to be referred to the hands of an inferior interpolator. Mr. Grote thinks it probable that these books, with the exception of the ninth, were subsequently


Myths and Myth-Makers