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Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of the Far East by Percival Lowell:

incongruity exists in nature; man enjoys a monopoly of the power of making himself ridiculous. So pleasant is pleasantry that we do indeed cultivate it beyond its proper pale. But it is only by personifying Nature, and gratuitously attributing to her errors of which she is incapable, that we can make fun of her; as, for instance, when we hold the weather up to ridicule by way of impotent revenge. But satires upon the clown-like character of our climate, which, after the lamest sort of a spring, somehow manages a capital fall, would in the Far East be as out of keeping with fancy as with fact. To a Japanese, who never personifies anything, such innocent irony is unmeaning. Besides, it would be also untrue. For his May

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Frances Waldeaux by Rebecca Davis:

eyes, and we can keep dry while we watch the storms."

"How did you know about it all? One would think you had crossed a dozen times, George."

"Oh, I've studied the whole thing up thoroughly," George said, with a satisfied little nod. "I've had time enough! Why, when I was in petticoats you used to tell me you would buy a ship and we would sail away together. You used to spoil all my school maps with red lines, drawing our routes."

"Yes. And now we're going!" said Frances to herself.

He sat down beside her and they watched the unending

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salammbo by Gustave Flaubert:

torches were extinguished; brands were taken from the funeral-pile of the Baal, and the Carthaginians bent back their necks and opened their mouths to drink. Others by the side of the miry pools, plunged their arms into them up to the armpits, and filled themselves so abundantly with water that they vomited it forth like buffaloes. The freshness gradually spread; they breathed in the damp air with play of limb, and in the happiness of their intoxication boundless hope soon arose. All their miseries were forgotten. Their country was born anew.

They felt the need, as it were, of directing upon others the extravagant fury which they had been unable to employ against themselves. Such a sacrifice could not be in vain; although they felt


Salammbo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

"A shawl."

"Done! If I lose that shawl I'll go back to the article Paris and the hat business. But as for getting the better of Gaudissart--never! never!"

And the illustrious traveller threw himself into position before Jenny, looked at her proudly, one hand in his waistcoat, his head at three-quarter profile,--an attitude truly Napoleonic.

"Oh, how funny you are! what have you been eating to-night?"

Gaudissart was thirty-eight years of age, of medium height, stout and fat like men who roll about continually in stage-coaches, with a face as round as a pumpkin, ruddy cheeks, and regular features of the type