Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades I by Plato:

other men?

ALCIBIADES: I mean that they rule over men who have common rights of citizenship, and dealings with one another.

SOCRATES: And what sort of an art is this? Suppose that I ask you again, as I did just now, What art makes men know how to rule over their fellow- sailors,--how would you answer?

ALCIBIADES: The art of the pilot.

SOCRATES: And, if I may recur to another old instance, what art enables them to rule over their fellow-singers?

ALCIBIADES: The art of the teacher of the chorus, which you were just now mentioning.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

"Dear heart!" Mrs. Stubbs had clapped her hand to her side. "I never seen anyone so eaten. You might have been attacked by canningbals."

Alice did wish there'd been a bit of life on the road though. Made her feel so queer, having nobody behind her. Made her feel all weak in the spine. She couldn't believe that some one wasn't watching her. And yet it was silly to turn round; it gave you away. She pulled up her gloves, hummed to herself and said to the distant gum-tree, "Shan't be long now." But that was hardly company.

Mrs. Stubbs's shop was perched on a little hillock just off the road. It had two big windows for eyes, a broad veranda for a hat, and the sign on the roof, scrawled MRS. STUBBS'S, was like a little card stuck rakishly in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

was now as much as I could do to manage one. And this, as it forced me to make two journeys, kept me the longer from the hall.

When I got there, the business of welcome was over long ago; the company was already at supper; and by an oversight that cut me to the quick, my place had been forgotten. I had seen one side of the Master's return; now I was to see the other. It was he who first remarked my coming in and standing back (as I did) in some annoyance. He jumped from his seat.

"And if I have not got the good Mackellar's place!" cries he. "John, lay another for Mr. Bally; I protest he will disturb no one, and your table is big enough for all."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The New Machiavelli by H. G. Wells:

THE BESETTING OF SEX

Art is selection and so is most autobiography. But I am concerned with a more tangled business than selection, I want to show a contemporary man in relation to the state and social usage, and the social organism in relation to that man. To tell my story at all I have to simplify. I have given now the broad lines of my political development, and how I passed from my initial liberal-socialism to the conception of a constructive aristocracy. I have tried to set that out in the form of a man discovering himself. Incidentally that self-development led to a profound breach with my wife. One