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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Options by O. Henry:

in his borrowing because it was so pitifully and perceptibly assumed.

This day I had coaxed from the cashier five shining silver dollars as a grumbling advance on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace with the world, at least an armistice had been declared; and I was beginning with ardor to write a description of the Brooklyn Bridge by moonlight.

"Well, Tripp," said I, looking up at him rather impatiently, "how goes it?" He was looking to-day more miserable, more cringing and haggard and downtrodden than I had ever seen him. He was at that stage of misery where he drew your pity so fully that you longed to kick him.

"Have you got a dollar?" asked Tripp, with his most fawning look and


Options
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Windermere's Fan by Oscar Wilde:

LADY WINDERMERE. Arthur? And you tell me there is nothing between you?

MRS. ERLYNNE. Lady Windermere, before Heaven your husband is guiltless of all offence towards you! And I - I tell you that had it ever occurred to me that such a monstrous suspicion would have entered your mind, I would have died rather than have crossed your life or his - oh! died, gladly died! [Moves away to sofa R.]

LADY WINDERMERE. You talk as if you had a heart. Women like you have no hearts. Heart is not in you. You are bought and sold. [Sits L.C.]

MRS. ERLYNNE. [Starts, with a gesture of pain. Then restrains

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

of Europe (then the Valusia of primal legend), Asia, the Americas, and the antarctic continent. Other charts - and most significantly one in connection with the founding fifty million years ago of the vast dead city around us - showed all the present continents well differentiated. And in the latest discoverable specimen - dating perhaps from the Pliocene Age - the approximate world of today appeared quite clearly despite the linkage of Alaska with Siberia, of North America with Europe through Greenland, and of South America with the antarctic continent through Graham Land. In the Carboniferous map the whole globe-ocean floor and rifted land mass alike - bore symbols of the Old Ones’ vast stone cities,


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Gentle Grafter by O. Henry:

"'How long have you been sick?' I asked.

"'I was taken down--ow-ouch--last night,' says the Mayor. 'Gimme something for it, doc, won't you?'

"'Mr. Fiddle,' says I, 'raise the window shade a bit, will you?'

"'Biddle,' says the young man. 'Do you feel like you could eat some ham and eggs, Uncle James?'

"'Mr. Mayor,' says I, after laying my ear to his right shoulder blade and listening, 'you've got a bad attack of super-inflammation of the right clavicle of the harpsichord!'

"'Good Lord!' says he, with a groan, 'Can't you rub something on it, or set it or anything?'