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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and the Future by H. G. Wells:

work that the French effect by their systematic demolition fire.

And the British aviator has discovered and is rapidly developing an altogether fresh branch of air activity in the machine-gun attack at a very low altitude. Originally I believe this was tried in western Egypt, but now it is being increasingly used upon the British front in France. An aeroplane which comes down suddenly, travelling very rapidly, to a few hundred feet, is quite hard to hit, even if it is not squirting bullets from a machine gun as it advances. Against infantry in the open this sort of thing is extremely demoralising. It is a method of attack still in its infancy, but there are great possibilities

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fairy Tales by Hans Christian Andersen:

could not see an arm's length before him, but still on he went: when suddenly he let go the string he held in his hand in order to get loose from the sledge, but it was of no use; still the little vehicle rushed on with the quickness of the wind. He then cried as loud as he could, but no one beard him; the snow drifted and the sledge flew on, and sometimes it gave a jerk as though they were driving over hedges and ditches. He was quite frightened, and he tried to repeat the Lord's Prayer; but all he could do, he was only able to remember the multiplication table.

The snow-flakes grew larger and larger, till at last they looked just like great white fowls. Suddenly they flew on one side; the large sledge stopped, and the person who drove rose up. It was a lady; her cloak and cap were of


Fairy Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rescue by Joseph Conrad:

gentleman, purposely misunderstanding his motive, overwhelmed him with so many apologies and expressions of regret at the irksome and perhaps inconvenient delay "which you suffer from through your good-natured acceptance of our invitation" that the other was obliged to refrain from pursuing the subject further.

"Even my regard for you, my dear d'Alcacer, could not induce me to submit to such a bare-faced attempt at extortion," affirmed Mr. Travers with uncompromising virtue. "The man wanted to force his services upon me, and then put in a heavy claim for salvage. That is the whole secret--you may depend on it. I detected him at once, of course." The eye-glass glittered perspicuously. "He


The Rescue
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

mediaeval. Yet she could not shake off the instinctive fear that arose in her--man's inheritance from the wild and howling ages when his hairy, apelike prototype was afraid of the dark and personified the elements into things of fear.

But as the mysterious influence seized her hand and sent it meriting across the paper, all the unusual passed out of the situation and she was unaware of more than a feeble curiosity. For she was intent on another visioning--this time of her mother, who was also unremembered in the flesh. Not sharp and vivid like that of her father, but dim and nebulous was the picture she shaped of her mother--a saint's head in an aureole of sweetness and goodness and meekness, and withal, shot through with a hint of reposeful determination, of