Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson:

For they knew the men of Taiarapu famous in battle and feast, Marvellous eaters and smiters: the men of Vaiau not least.

To the land of the Namunu-ura, (10) to Paea, at length she came, To men who were foes to the Tevas and hated their race and name. There was she well received, and spoke with Hiopa the king. (11) And Hiopa listened, and weighed, and wisely considered the thing. "Here in the back of the isle we dwell in a sheltered place," Quoth he to the woman, "in quiet, a weak and peaceable race. But far in the teeth of the wind lofty Taiarapu lies; Strong blows the wind of the trade on its seaward face, and cries Aloud in the top of arduous mountains, and utters its song


Ballads
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walking by Henry David Thoreau:

familiar fields which stretch around my native town sometimes finds himself in another land than is described in their owners' deeds, as it were in some faraway field on the confines of the actual Concord, where her jurisdiction ceases, and the idea which the word Concord suggests ceases to be suggested. These farms which I have myself surveyed, these bounds which I have set up, appear dimly still as through a mist; but they have no chemistry to fix them; they fade from the surface of the glass, and the picture which the painter painted stands out dimly from beneath. The world with which we are commonly acquainted leaves no trace, and it will have no anniversary.


Walking
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

have cost a fabulous sum. Lord Argentine was telling me about it; he was there last Sunday evening. He assures me he has never tasted such a wine, and Argentine, as you know, is an expert. By the way, that reminds me, she must be an oddish sort of woman, this Mrs. Beaumont. Argentine asked her how old the wine was, and what do you think she said? 'About a thousand years, I believe.' Lord Argentine thought she was chaffing him, you know, but when he laughed she said she was speaking quite seriously and offered to show him the jar. Of course, he couldn't say anything more after that; but it seems rather antiquated for a beverage, doesn't it? Why, here we are at my


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King Lear by William Shakespeare:

have made of it hath not been little. He always lov'd our sister most, and with what poor judgment he hath now cast her off appears too grossly. Reg. 'Tis the infirmity of his age; yet he hath ever but slenderly known himself. Gon. The best and soundest of his time hath been but rash; then must we look to receive from his age, not alone the imperfections of long-ingraffed condition, but therewithal the unruly waywardness that infirm and choleric years bring


King Lear