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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthydemus by Plato:

of them?' 'Do you see,' retorts Euthydemus, 'what has the quality of vision or what has not the quality of vision?' 'What has the quality of vision.' 'And you see our garments?' 'Yes.' 'Then our garments have the quality of vision.' A similar play of words follows, which is successfully retorted by Ctesippus, to the great delight of Cleinias, who is rebuked by Socrates for laughing at such solemn and beautiful things.

'But are there any beautiful things? And if there are such, are they the same or not the same as absolute beauty?' Socrates replies that they are not the same, but each of them has some beauty present with it. 'And are you an ox because you have an ox present with you?' After a few more amphiboliae, in which Socrates, like Ctesippus, in self-defence borrows the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Aspern Papers by Henry James:

as I have you can form no idea of their domestic desolation. They live on nothing, for they have nothing to live on." The other idea that had come into my head was connected with a high blank wall which appeared to confine an expanse of ground on one side of the house. Blank I call it, but it was figured over with the patches that please a painter, repaired breaches, crumblings of plaster, extrusions of brick that had turned pink with time; and a few thin trees, with the poles of certain rickety trellises, were visible over the top. The place was a garden, and apparently it belonged to the house. It suddenly occurred to me that if it did belong to the house

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twenty Years After by Alexandre Dumas:

most to do, gave me a pretty sword-thrust, now about seven years ago, the third that I received from the same hand; it closed an old account."

"Ah!" said Mazarin, with admirable suavity, "could I but find such men!"

"My lord, there has stood for six years at your very door a man such as I describe, and during those six years he has been unappreciated and unemployed by you."

"Who is it?"

"It is Monsieur d'Artagnan."

"That Gascon!" cried Mazarin, with well acted surprise.


Twenty Years After
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

towards the summit as fast as the steep incline allowed. Only these - nothing more. Then everyone noticed a strangely unseasonable noise in the deep valley behind, and even in the underbrush of Sentinel Hill itself. It was the piping of unnumbered whippoorwills, and in their shrill chorus there seemed to lurk a note of tense and evil expectancy. Earl Sawyer now took the telescope and reported the three figures as standing on the topmost ridge, virtually level with the altar-stone but at a considerable distance from it. One figure, he said, seemed to be raising its hands above its head at rhythmic intervals; and as Sawyer mentioned the circumstance


The Dunwich Horror