Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

vast and always increasing body of women, who as modern conditions develop are thrown out into the stream of modern economic life to sustain themselves and often others by their own labour; and who yet are there bound hand and foot, not by the intellectual or physical limitations of their nature, but by artificial constrictions and conventions, the remnants of a past condition of society. It is largely this maladjustment, which, deeply studied in all its ramifications, will be found to lie as the taproot and central source of the most terrible of the social diseases that afflict us.

The fact that for equal work equally well performed by a man and by a woman, it is ordained that the woman on the ground of her sex alone shall

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:

monsters. Mediaeval Christianity retained these conceptions, merely changing the superhuman wolves into evil demons; and finally the occurrence of cases of Berserker madness and cannibalism, accompanied by lycanthropic hallucinations, being interpreted as due to such demoniacal metamorphosis, gave rise to the werewolf superstition of the Middle Ages. The etymological proceedings, to which Mr. Cox would incontinently ascribe the origin of the entire superstition, seemed to me to have played a very subordinate part in the matter. To suppose that Jean Grenier imagined himself to be a wolf, because the Greek word for wolf sounded like the word for light, and thus

Myths and Myth-Makers

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Euthyphro by Plato:

which I have already given to others:--of the principle, I mean, that the impious, whoever he may be, ought not to go unpunished. For do not men regard Zeus as the best and most righteous of the gods?--and yet they admit that he bound his father (Cronos) because he wickedly devoured his sons, and that he too had punished his own father (Uranus) for a similar reason, in a nameless manner. And yet when I proceed against my father, they are angry with me. So inconsistent are they in their way of talking when the gods are concerned, and when I am concerned.

SOCRATES: May not this be the reason, Euthyphro, why I am charged with impiety--that I cannot away with these stories about the gods? and therefore I suppose that people think me wrong. But, as you who are

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

conservative fox-trot--I had never seen him dance before. Then they sauntered over to my house and sat on the steps for half an hour, while at her request I remained watchfully in the garden. "In case there's a fire or a flood," she explained, "or any act of God."

Tom appeared from his oblivion as we were sitting down to supper together. "Do you mind if I eat with some people over here?" he said. "A fellow's getting off some funny stuff."

"Go ahead," answered Daisy genially, "and if you want to take down any addresses here's my little gold pencil." . . . she looked around after a moment and told me the girl was "common but pretty," and I knew that except for the half-hour she'd been alone with Gatsby she wasn't having

The Great Gatsby