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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Essays & Lectures by Oscar Wilde:

has more truth in it than the many care to discover.

Having now traced the progress of historical criticism in the special treatment of myth and legend, I shall proceed to investigate the form in which the same spirit manifested itself as regards what one may term secular history and secular historians. The field traversed will be found to be in some respects the same, but the mental attitude, the spirit, the motive of investigation are all changed.

There were heroes before the son of Atreus and historians before Herodotus, yet the latter is rightly hailed as the father of history, for in him we discover not merely the empirical connection

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams & Dust by Don Marquis:

He wrought life's rhythms into song: He laughed, he sang the Dawn! So close, so close to life he dwelt That at rare times and rapt he felt The fleshly barriers yield and melt; He trembled, looking on Creation at her miracles; His soul-sight pierced the earthly shells And saw the spirit weave its spells, The veil of clay withdrawn;-- A little while, with love and youth,

The third excerpt represents the future or something you must embrace, and is drawn from Long Odds by H. Rider Haggard:

have given me a lot of trouble for the last dozen years, and will, I suppose to my dying day."

"Tell us the yarn, Quatermain," said Good. "You have often promised to tell me, and you never have."

"You had better not ask me to," he answered, "for it is a longish one."

"All right," I said, "the evening is young, and there is some more port."

Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco that was always standing on the mantelpiece, and still walking up and down the room, began--

"It was, I think, in the March of '69 that I was up in Sikukuni's


Long Odds