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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Emma McChesney & Co. by Edna Ferber:

EMMA McCHESNEY & CO.

by Edna Ferber

CONTENTS

CHAPTER

I. BROADWAY TO BUENOS AIRES II. THANKS TO MISS MORRISSEY III. A CLOSER CORPORATION IV. BLUE SERGE V. "HOOPS, MY DEAR!" VI. SISTERS UNDER THEIR SKIN VII. AN ETUDE FOR EMMA


Emma McChesney & Co.
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

for it. Our courts do let off these fellows too often, on some miserable excuse or other. But, at any rate, there's an end of the famous Bonito. I have just heard in the harbour-office that she must have gone on at the very top of high-water; and she is in ballast, too. No human power, they think, can move her from where she is. I only hope it is so. It would be fine to have the notorious Bonito stuck up there as a warning to others."

Mr. J. Mesman, a colonial-born Dutchman, a kind, paternal old fellow, with a clean-shaven, quiet, handsome fade, and a head of fine iron-grey hair curling a little on his collar, did not say a word in defence of Jasper and the Bonito. He rose from his arm-


'Twixt Land & Sea
The third excerpt represents the future or something you must embrace, and is drawn from Somebody's Little Girl by Martha Young:

brush!''

So Bessie Bell could only cry--and that very softly--and feel ashamed as she was bid, and forget what it was that she remembered.

Bessie Bell might have remembered one time when a great house was all desolate, and when nobody or nothing at all breathed in the whole great big house, but one little tiny girl and one great big white cat, with just one black spot on its tail.

The nurse that always had played so nicely with the tiny little girl was lying with her cheek in her hand over yonder.

The Grandmother who had always talked so much to the tiny little girl was not talking any more.