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Today's Stichomancy for Lee Harvey Oswald

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

the stroke of his harpoon.

Ned Land was about forty years of age; he was a tall man (more than six feet high), strongly built, grave and taciturn, occasionally violent, and very passionate when contradicted. His person attracted attention, but above all the boldness of his look, which gave a singular expression to his face.

Who calls himself Canadian calls himself French; and, little communicative as Ned Land was, I must admit that he took a certain liking for me. My nationality drew him to me, no doubt. It was an opportunity for him to talk, and for me to hear, that old language of Rabelais, which is still in use in some Canadian provinces. The harpooner's family was originally


20,000 Leagues Under the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

Lords enough on us in the court?

MUCEDORUS. Why, shepherds are men, and kings are no more.

MESSENGER. Shepherds are men and masters over their flock.

MOUSE. That's a lie: who pays them their wages then?

MESSENGER. Well, you are always interrupting of me, but you are best look to him, least you hang for him when he is gone.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

the Love of God and the Brotherhood of Man.

CHAPTER 5. MORE CRUSADES.

I have now sketched out briefly the leading features of the threefold Scheme by which I think a way can be opened out of "Darkest England," by which its forlorn denizens can escape into the light and freedom of a new life. But it is not enough to make a clear broad road out of the heart of this dense and matted jungle forest; its inhabitants are in many cases so degraded, so hopeless, so utterly desperate that we shall have to do something more than make roads. As we read in the parable, it is often not enough that the feast be prepared, and the guests be bidden; we must needs go into the highways and byways and compel them


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

emotion; she was in bed with a high fever. He took her hand, kissed it, and covered it with tears.

"Dear angel," he said, when they were alone, "it is repentance."

"And for what?" she answered.

As she made that reply, she laid her head back upon the pillow, closed her eyes, and remained motionless, keeping the secret of her sufferings that she might not frighten her husband,--the tenderness of a mother, the delicacy of an angel! All the woman was in her answer.

The silence lasted long. Jules, thinking her asleep, went to question Josephine as to her mistress's condition.

"Madame came home half-dead, monsieur. We sent at once for Monsieur


Ferragus