The first excerpt represents the past or something you must release, and is drawn from The Importance of Being Earnest by Oscar Wilde: trusted. Young women are green. [DR. CHASUBLE starts.] I spoke
horticulturally. My metaphor was drawn from fruits. But where is
Cecily?
CHASUBLE. Perhaps she followed us to the schools.
[Enter JACK slowly from the back of the garden. He is dressed in
the deepest mourning, with crape hatband and black gloves.]
MISS PRISM. Mr. Worthing!
CHASUBLE. Mr. Worthing?
MISS PRISM. This is indeed a surprise. We did not look for you
till Monday afternoon.
JACK. [Shakes MISS PRISM'S hand in a tragic manner.] I have
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare: I'ld shake it on this quarrel.
Reg. What do you mean?
Corn. My villain! Draw and fight.
1. Serv. Nay, then, come on, and take the chance of anger.
Reg. Give me thy sword. A peasant stand up thus?
She takes a sword and runs at him behind.
1. Serv. O, I am slain! My lord, you have one eye left
To see some mischief on him. O! He dies.
Corn. Lest it see more, prevent it. Out, vile jelly!
Where is thy lustre now?
Glou. All dark and comfortless! Where's my son Edmund?
 King Lear |
The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato: his right mind.
SOCRATES: And are you aware that you produce similar effects on most of
the spectators?
ION: Only too well; for I look down upon them from the stage, and behold
the various emotions of pity, wonder, sternness, stamped upon their
countenances when I am speaking: and I am obliged to give my very best
attention to them; for if I make them cry I myself shall laugh, and if I
make them laugh I myself shall cry when the time of payment arrives.
SOCRATES: Do you know that the spectator is the last of the rings which,
as I am saying, receive the power of the original magnet from one another?
The rhapsode like yourself and the actor are intermediate links, and the
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