| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville: exclusively on that of the body: and they substitute the
representation of motion and sensation for that of sentiment and
thought: in a word, they put the real in the place of the ideal.
I doubt whether Raphael studied the minutest intricacies of the
mechanism of the human body as thoroughly as the draughtsmen of
our own time. He did not attach the same importance to rigorous
accuracy on this point as they do, because he aspired to surpass
nature. He sought to make of man something which should be
superior to man, and to embellish beauty's self. David and his
scholars were, on the contrary, as good anatomists as they were
good painters. They wonderfully depicted the models which they
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad: of a man of stone, with a red handsome face, a blue
wandering eye, and a great white beard flowing
to his waist and never trimmed as far as Colebrook
knew.
Seven years before, he had seriously answered,
"Next month, I think," to the chaffing attempt to
secure his custom made by that distinguished local
wit, the Colebrook barber, who happened to be sit-
ting insolently in the tap-room of the New Inn near
the harbour, where the captain had entered to buy
an ounce of tobacco. After paying for his pur-
 To-morrow |