| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac: and nephew. As daylight, darkened by the windows, could not penetrate
to this corner, the cook had left two dips burning, whose unsnuffed
wicks showed a sort of mushroom growth, giving the red light which
promises length of life to the candle from slowness of combustion--a
discovery due to some miser.
"My dear uncle, you ought to wrap yourself more warmly when you go
down to that parlor."
"I cannot bear to keep them waiting, poor souls!--Well, and what do
you want of me?"
"I have come to ask you to dine to-morrow with the Marquise d'Espard."
"A relation of ours?" asked Popinot, with such genuine absence of mind
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving: children, mounted on the top of a wagon loaded with household
trumpery, with pots and kettles dangling beneath; and he beheld
himself bestriding a pacing mare, with a colt at her heels,
setting out for Kentucky, Tennessee, --or the Lord knows where!
When he entered the house, the conquest of his heart was
complete. It was one of those spacious farmhouses, with high-
ridged but lowly sloping roofs, built in the style handed down
from the first Dutch settlers; the low projecting eaves forming a
piazza along the front, capable of being closed up in bad
weather. Under this were hung flails, harness, various utensils
of husbandry, and nets for fishing in the neighboring river.
The Legend of Sleepy Hollow |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Just Folks by Edgar A. Guest: The one with freckled features and a nose that looks as though
It was fashioned by the youngsters from a chunk of mother's dough.
You know the man I'm thinking of, the homely one an' plain,
That fairly oozes kindness like a rosebush dripping rain.
His face is never much to see, but back of it there lies
A heap of love and tenderness and judgment, sound and wise.
And so I sing the homely man that's sittin' in his chair,
And pray that every family will always have him there.
For looks don't count for much on earth; it's hearts that wear the gold;
An' only that is ugly which is selfish, cruel, cold.
The family needs him, Oh, so much; more, maybe, than they know;
Just Folks |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poems of William Blake by William Blake: The weeping virgin, trembling kneels before the risen sun.
Till we arise link'd in a golden band and never part:
But walk united bearing food to all our tender flowers.
Dost thou O little cloud? I fear that I am not like thee:
For I walk through the vales of Har, and smell the sweetest flowers:
But I feed not the little flowers: I hear the warbling birds,
But I feed not the warbling birds, they fly and seek their food:
But Thel delights in these no more because I fade away
And all shall say, without a use this shining women liv'd,
Or did she only live to be at death the food of worms.
The Cloud reclind upon his airy throne and answerd thus.
Poems of William Blake |
