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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

saw anything like what appears here, except in the chamber of rarities at Munich in Bavaria.

Passing these, you come into several large rooms, as if contrived for the reception of the beautiful guests that take them up; one of these is near seventy feet long, and the ceiling twenty-six feet high, with another adjoining of the same height and breadth, but not so long. Those together might be called the Great Gallery of Wilton, and might vie for paintings with the Gallery of Luxembourg, in the Faubourg of Paris.

These two rooms are filled with the family pieces of the house of Herbert, most of them by Lilly or Vandyke; and one in particular

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

worries less and less over the particular rightness of his definite acts. In these later papers White found Benham abstracted, self- forgetful, trying to find out with an ever increased self- detachment, with an ever deepening regal solicitude, why there are massacres, wars, tyrannies and persecutions, why we let famine, disease and beasts assail us, and want dwarf and cripple vast multitudes in the midst of possible plenty. And when he foundrejudice. His examination of the social and political condition of Russiaty and swarming with naked black children, and yet all the time they seemed to be in a wilderness. They forded rivers, they had at times to force

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ivanhoe by Walter Scott:

and for a few minutes they displayed great equality in strength, courage, and skill, intercepting and returning the blows of their adversary with the most rapid dexterity, while, from the continued clatter of their weapons, a person at a distance might have supposed that there were at least six persons engaged on each side. Less obstinate, and even less dangerous combats, have been described in good heroic verse; but that of Gurth and the Miller must remain unsung, for want of a sacred poet to do justice to its eventful progress. Yet, though


Ivanhoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Witch, et. al by Anton Chekhov:

Praskovya, who had been walking barefooted, sat down on the grass to put on their boots; Elizar sat down with them. If they looked down from above Ukleevo looked beautiful and peaceful with its willow-trees, its white church, and its little river, and the only blot on the picture was the roof of the factories, painted for the sake of cheapness a gloomy ashen grey. On the slope on the further side they could see the rye -- some in stacks and sheaves here and there as though strewn about by the storm, and some freshly cut lying in swathes; the oats, too, were ripe and glistened now in the sun like mother-of-pearl. It was harvest-time. To-day was a holiday, to-morrow they would harvest