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Today's Stichomancy for Leo Tolstoy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Z. Marcas by Honore de Balzac:

and I remained in perfect ignorance of the fact. The old woman who managed the house had indeed told us that the room was inhabited, but she had added that we should not be disturbed, that the occupant was exceedingly quiet. In fact, for those six months, we never met our fellow-lodger, and we never heard a sound in his room, in spite of the thinness of the partition that divided us--one of those walls of lath and plaster which are common in Paris houses.

Our room, a little over seven feet high, was hung with a vile cheap paper sprigged with blue. The floor was painted, and knew nothing of the polish given by the /frotteur's/ brush. By our beds there was only a scrap of thin carpet. The chimney opened immediately to the roof,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Brother of Daphne by Dornford Yates:

I returned to the hall. Not to be outdone by the housekeeper, the footman was most solicitous. He led me to an oak-panelled lavatory, turned on the water, and held a towel ready while I washed. Then he brushed me all over, and flicked the dust from my shoes. With the slightest encouragement, I believe he would have shaved me. Then he led me to the 'reception rooms' in turn. When the tour was over, he brought me cigarettes and asked me if I would like tea served in the garden.

"By all means," I said.

"Tell her ladyship she will find me out of doors."

"Yes, sir."


The Brother of Daphne
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Camille by Alexandre Dumas:

to hide so persistent and so sorrowful a thought, that I trembled every moment lest Marguerite should become delirious.

"Listen," I said. "You are ill. I can not leave you like this. I will write and tell my father not to expect me."

"No, no," she cried hastily, "don't do that. Your father will accuse me of hindering you again from going to see him when he wants to see you; no, no, you must go, you must! Besides, I am not ill. I am quite well. I had a bad dream and am not yet fully awake."

From that moment Marguerite tried to seem more cheerful. There were no more tears.


Camille
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage of the Beagle by Charles Darwin:

the Cordillera. The road proceeded for some distance due east across a low swamp; then meeting the dry plain, it turned to the north towards Mendoza. The distance is two very long days' journey. Our first day's journey was called fourteen leagues to Estacado, and the second seventeen to Luxan, near Mendoza. The whole distance is over a level desert plain, with not more than two or three houses. The sun was exceedingly powerful, and the ride devoid of all interest. There is very little water in this "traversia," and in our second day's journey we found only one little pool. Little water flows from the mountains, and it soon becomes


The Voyage of the Beagle