Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Leo Tolstoy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Florence is dead: her houses are but tombs; Silence and solitude are in her streets.

BINDO. Ah yes; and often I repeat the words You wrote upon your statue of the Night, There in the Sacristy of San Lorenzo: "Grateful to me is sleep; to be of stone More grateful, while the wrong and shame endure; To see not, feel not, is a benediction; Therefore awake me not; oh, speak in whispers."

MICHAEL ANGELO.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Domestic Peace by Honore de Balzac:

Count had promised his guests. And Napoleon would have kept his word but for the scene which had broken out that very evening between him and Josephine--the scene which portended the impending divorce of the august pair. The report of this incident, at the time kept very secret, but recorded by history, did not reach the ears of the courtiers, and had no effect on the gaiety of Comte de Gondreville's party beyond keeping Napoleon away.

The prettiest women in Paris, eager to be at the Count's on the strength of mere hearsay, at this moment were a besieging force of luxury, coquettishness, elegance, and beauty. The financial world, proud of its riches, challenged the splendor of the generals and high

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

no outward sign of fear. His eyes, indicating his greatest interest, were fixed upon my pistol or the rifle which Ajor still carried. I cut his bonds with my knife. As I did so, an expression of surprise tinged and animated the haughty reserve of his countenance. He eyed me quizzically.

"What are you going to do with me?" he asked.

"You are free," I replied. "Go home, if you wish."

"Why don't you kill me?" he inquired. "I am defenseless."

"Why should I kill you? I have risked my life and that of this young lady to save your life. Why, therefore should I now take it?" Of course, I didn't say "young lady" as there is no Caspakian


The People That Time Forgot
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

of Athens, but the face is usually the face of Brompton. Now and then, it is true, one comes across a model whose face is an exquisite anachronism, and who looks lovely and natural in the dress of any century but her own. This, however, is rather rare. As a rule models are absolutely DE NOTRE SIECLE, and should be painted as such. Unfortunately they are not, and, as a consequence, we are shown every year a series of scenes from fancy dress balls which are called historical pictures, but are little more than mediocre representations of modern people masquerading. In France they are wiser. The French painter uses the model simply for study; for the finished picture he goes direct to life.