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Today's Stichomancy for Leon Trotsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

and leaned on one elbow. "You over-eat yourself dreadfully," she said; "shamelessly! How can you expect the Flame of the Spirit to burn brightly under layers of superfluous flesh?"

I wished she would not stare at me, and thought of going to look at my watch again when a little girl wearing a string of coral beads joined us.

"The poor Frau Hauptmann cannot join us to-day," she said; "she has come out in spots all over on account of her nerves. She was very excited yesterday after having written two post-cards."

"A delicate woman," volunteered the Hungarian, "but pleasant. Fancy, she has a separate plate for each of her front teeth! But she has no right to let her daughters wear such short sailor suits. They sit about on benches,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Journal of the Plague Year by Daniel Defoe:

to fly into the country or shut themselves up. Nay, so far were they from stirring that they rather received their friends and relations from the city into their houses, and several from other places really took sanctuary in that part of the town as a Place of safety, and as a place which they thought God would pass over, and not visit as the rest was visited.

And this was the reason that when it came upon -them they were more surprised, more unprovided, and more at a loss what to do than they were in other places; for when it came among them really and with violence, as it did indeed in September and October, there was then no stirring out into the country, nobody would suffer a stranger to


A Journal of the Plague Year
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:

mortal, the other immortal. The charioteer and the mortal steed are in fierce conflict; at length the animal principle is finally overpowered, though not extinguished, by the combined energies of the passionate and rational elements. This is one of those passages in Plato which, partaking both of a philosophical and poetical character, is necessarily indistinct and inconsistent. The magnificent figure under which the nature of the soul is described has not much to do with the popular doctrine of the ideas. Yet there is one little trait in the description which shows that they are present to Plato's mind, namely, the remark that the soul, which had seen truths in the form of the universal, cannot again return to the nature of an animal.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Heap O' Livin' by Edgar A. Guest:

My Paw said so. Owls have big eyes that sparkle an' glisten, My Paw said so. Bears can turn flip-flaps an' climb ellum trees, An' steal all the honey away from the bees, An' they never mind winter becoz they don't freeze; My Paw said so.

Girls is a-scared of a snake, but boys ain't, My Paw said so. They holler an' run; an' sometimes they faint,


A Heap O' Livin'