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Today's Stichomancy for Leon Trotsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by Bronte Sisters:

Mementos of past pains and pleasures; These volumes, clasped with costly stone, With print all faded, gilding gone;

These fans of leaves from Indian trees-- These crimson shells, from Indian seas-- These tiny portraits, set in rings-- Once, doubtless, deemed such precious things; Keepsakes bestowed by Love on Faith, And worn till the receiver's death, Now stored with cameos, china, shells, In this old closet's dusty cells.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shakespeare's Sonnets by William Shakespeare:

When rocks impregnable are not so stout, Nor gates of steel so strong but Time decays? O fearful meditation! where, alack, Shall Time's best jewel from Time's chest lie hid? Or what strong hand can hold his swift foot back? Or who his spoil of beauty can forbid? O! none, unless this miracle have might, That in black ink my love may still shine bright.


Tired with all these, for restful death I cry, As to behold desert a beggar born,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

who lived in that fine white house, and who had never known what it was to be deprived of liberty. He hung his head, he mumbled. The house-owner, who was older than he, was slightly deaf. He looked him over curtly. The end of it was he was ordered off the premises, and went; but the dog trailed, wagging at his heels, and had to be roughly called back. The thought of the dog comforted Stebbins as he went on his way. He had always liked animals. It was something, now he was past a hand-shake, to have the friendly wag of a dog's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

the Whither and the Why of mankind, and thereby set aside the previous labour of all philosophical workers, and all subjugators of the past--they grasp at the future with a creative hand, and whatever is and was, becomes for them thereby a means, an instrument, and a hammer. Their "knowing" is CREATING, their creating is a law-giving, their will to truth is--WILL TO POWER.- -Are there at present such philosophers? Have there ever been such philosophers? MUST there not be such philosophers some day? ...

212. It is always more obvious to me that the philosopher, as a man INDISPENSABLE for the morrow and the day after the morrow,

Beyond Good and Evil