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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Island by Jules Verne:

redescend towards the watercourse. When they arrived there, it was an hour after midday. The tide had already turned. They must now avail themselves of the ebb to take the wood to the mouth. Pencroft did not intend to let the raft go away in the current without guidance, neither did he mean to embark on it himself to steer it. But a sailor is never at a loss when there is a question of cables or ropes, and Pencroft rapidly twisted a cord, a few fathoms long, made of dry creepers. This vegetable cable was fastened to the after-part of the raft, and the sailor held it in his hand while Herbert, pushing off the raft with a long pole, kept it in the current. This succeeded capitally. The enormous load of wood drifted down the current. The bank was very equal; there was no fear that the raft would

The Mysterious Island
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Prince Otto by Robert Louis Stevenson:

not three ways of getting money: there are but two: to earn and steal. And now, when you have combined Charles the Fifth and Long- fingered Tom, you come to me to fortify your vanity! But I will clear my mind upon this matter: until I know the right and wrong of the transaction, I put my hand behind my back. A man may be the pitifullest prince; he must be a spotless gentleman.'

The Prince had gotten to his feet, as pale as paper. Gotthold,' he said, 'you drive me beyond bounds. Beware, sir, beware!'

'Do you threaten me, friend Otto?' asked the Doctor grimly. 'That would be a strange conclusion.'

'When have you ever known me use my power in any private animosity?'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tanach:

Exodus 36: 23 And he made the boards for the tabernacle; twenty boards for the south side southward.

Exodus 36: 24 And he made forty sockets of silver under the twenty boards: two sockets under one board for its two tenons, and two sockets under another board for its two tenons.

Exodus 36: 25 And for the second side of the tabernacle, on the north side, he made twenty boards,

Exodus 36: 26 and their forty sockets of silver: two sockets under one board, and two sockets under another board.

Exodus 36: 27 And for the hinder part of the tabernacle westward he made six boards.

Exodus 36: 28 And two boards made he for the corners of the tabernacle in the hinder part;

Exodus 36: 29 that they might be double beneath, and in like manner they should be complete unto the top thereof unto the first ring. Thus he did to both of them in the two corners.

Exodus 36: 30 And there were eight boards, and their sockets of silver, sixteen sockets: under every board two sockets.

Exodus 36: 31 And he made bars of acacia-wood: five for the boards of the one side of the tabernacle,

Exodus 36: 32 and five bars for the boards of the other side of the tabernacle, and five bars for the boards of the tabernacle for the hinder part westward.

Exodus 36: 33 And he made the middle bar to pass through in the midst of the boards from the one end to the other.

The Tanach
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

escorted by a score of boats. All the paddles flashed and struck together with a mighty splash that reverberated loudly in the monumental amphitheatre of hills. A broad stream of dazzling foam trailed behind the flotilla. The canoes appeared very black on the white hiss of water; turbaned heads swayed back and forth; a multitude of arms in crimson and yellow rose and fell with one movement; the spearmen upright in the bows of canoes had variegated sarongs and gleaming shoulders like bronze statues; the muttered strophes of the paddlers' song ended periodically in a plaintive shout. They diminished in the distance; the song ceased; they swarmed on the beach in the long shadows of the western hills. The sunlight lingered on the

Tales of Unrest