Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sophist by Plato:

then he may proceed to argue with what follows.

THEAETETUS: Nothing can be fairer.

STRANGER: Let me ask you to consider a further question.

THEAETETUS: What question?

STRANGER: When we speak of not-being, we speak, I suppose, not of something opposed to being, but only different.

THEAETETUS: What do you mean?

STRANGER: When we speak of something as not great, does the expression seem to you to imply what is little any more than what is equal?

THEAETETUS: Certainly not.

STRANGER: The negative particles, ou and me, when prefixed to words, do

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Statesman by Plato:

which either of these qualities is wanting. The noblest and best of all webs or states is that which the royal science weaves, combining the two sorts of natures in a single texture, and in this enfolding freeman and slave and every other social element, and presiding over them all.

'Your picture, Stranger, of the king and statesman, no less than of the Sophist, is quite perfect.'

...

The principal subjects in the Statesman may be conveniently embraced under six or seven heads:--(1) the myth; (2) the dialectical interest; (3) the political aspects of the dialogue; (4) the satirical and paradoxical vein; (5) the necessary imperfection of law; (6) the relation of the work to the

Statesman

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Parmenides by Plato:

them in Plato as a mere straw-splitting, or legerdemain of words. Yet there was a power in them which fascinated the Neoplatonists for centuries afterwards. Something that they found in them, or brought to them--some echo or anticipation of a great truth or error, exercised a wonderful influence over their minds. To do the Parmenides justice, we should imagine similar aporiai raised on themes as sacred to us, as the notions of One or Being were to an ancient Eleatic. 'If God is, what follows? If God is not, what follows?' Or again: If God is or is not the world; or if God is or is not many, or has or has not parts, or is or is not in the world, or in time; or is or is not finite or infinite. Or if the world is or is not; or has or has not a beginning or end; or is or is not infinite, or

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

of his large declamatory and controversial eloquence.

Day by day, one new villa, one new object of offence, is added to another; all around Newington and Morningside, the dismallest structures keep springing up like mushrooms; the pleasant hills are loaded with them, each impudently squatted in its garden, each roofed and carrying chimneys like a house. And yet a glance of an eye discovers their true character. They are not houses; for they were not designed with a view to human habitation, and the internal arrangements are, as they tell me, fantastically unsuited to the needs of man.