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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the past or something you must release, and is drawn from Lair of the White Worm by Bram Stoker:

at the gate of Diana's Grove just as Lady Arabella was preparing to set out for Castra Regis on what she considered her mission of comfort. Seeing Adam from her window going through the shadows of the trees round the gate, she thought that he must be engaged on some purpose similar to her own. So, quickly making her toilet, she quietly left the house, and, taking advantage of every shadow and substance which could hide her, followed him on his walk.

Oolanga, the experienced tracker, followed her, but succeeded in hiding his movements better than she did. He saw that Adam had on his shoulder a mysterious box, which he took to contain something valuable. Seeing that Lady Arabella was secretly following Adam, he


Lair of the White Worm
The second excerpt represents the present or the deciding factor of the moment, and is drawn from First Inaugural Address by Abraham Lincoln:

neither affirm nor deny; but if there be such, I need address no word to them. To those, however, who really love the Union may I not speak?

Before entering upon so grave a matter as the destruction of our national fabric, with all its benefits, its memories, and its hopes, would it not be wise to ascertain precisely why we do it? Will you hazard so desperate a step while there is any possibility that any portion of the ills you fly from have no real existence? Will you, while the certain ills you fly to are greater than all the real ones you fly from--will you risk the commission of so fearful a mistake?

All profess to be content in the Union if all Constitutional rights

The third excerpt represents the future or something you must embrace, and is drawn from Adventure by Jack London:

at Tudor on the other side of her. It was a handsomer face, one that was more immediately pleasing. But she did not like the mouth. It was made for kissing, and she abhorred kisses. This was not a deliberately achieved concept; it came to her in the form of a faint and vaguely intangible repulsion. For the moment she knew a fleeting doubt of the man. Perhaps Sheldon was right in his judgment of the other. She did not know, and it concerned her little; for boats, and the sea, and the things and happenings of the sea were of far more vital interest to her than men, and the next moment she was staring through the warm tropic darkness at the loom of the sails and the steady green of the moving sidelight, and