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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Large Catechism by Dr. Martin Luther:

were to strike him in the neck [makes imprecations, which if fulfilled with respect to any one, he would not live long]. Now since this inheres in every one by nature and it is a common practice that no one is willing to suffer at the hands of another, God wishes to remove the root and source by which the heart is embittered against our neighbor, and to accustom us ever to keep in view this commandment, always to contemplate ourselves in it as in a mirror, to regard the will of God, and with hearty confidence and invocation of His name to commit to Him the wrong which we suffer. Thus we shall suffer our enemies to rage and be angry, doing what they can, and we learn to calm our wrath, and to have a patient, gentle heart, especially toward those who give us cause

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells:

continually and never come to a final bump. So soon do use and wont establish themselves, and the most flaming and thunderous of lessons pale into disregard.

The question whether a Leblanc is still possible, the question whether it is still possible to bring about an outbreak of creative sanity in mankind, to avert this steady glide to destruction, is now one of the most urgent in the world. It is clear that the writer is temperamentally disposed to hope that there is such a possibility. But he has to confess that he sees few signs of any such breadth of understanding and steadfastness of will as an effectual effort to turn the rush of human affairs


The Last War: A World Set Free
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glinda of Oz by L. Frank Baum:

under water yonder. Did Coo-ee-oh come here in the boat to meet the Flatheads before the island was sunk, or afterward?"

No one could answer that question, of course; but while they pondered the matter three young men advanced from the line of trees, and rather timidly bowed to the strangers.

"Who are you, and where did you come from?" inquired the Wizard.

"We are Skeezers," answered one of them, "and our home is on the Magic Isle of the Lake. We ran away when


Glinda of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

familiar island of all, not so much because of its proximity as because of its great crumbling fort and its graceful pharos: the stationary White-Light of Barataria. Otherwise the place is bleakly uninteresting: a wilderness of wind-swept grasses and sinewy weeds waving away from a thin beach ever speckled with drift and decaying things,--worm-riddled timbers, dead porpoises.

Eastward the russet level is broken by the columnar silhouette of the light house, and again, beyond it, by some puny scrub timber, above which rises the angular ruddy mass of the old brick fort, whose ditches swarm with crabs, and whose sluiceways are half choked by obsolete cannon-shot, now thickly covered with