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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte:

had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear.

All at once I remembered that it might be Pilot, who, when the kitchen-door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted,

Jane Eyre
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

Discovered an odd reason too for pride In being what he must have been by laws Infrangible and for no kind of cause. Deterred by no confusion or surprise He may have seen with his mechanic eyes A world without a meaning, and had room, Alone amid magnificence and doom, To build himself an airy monument That should, or fail him in his vague intent, Outlast an accidental universe -- To call it nothing worse --

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

When however at length the village steeple descried he, And not far away lay the houses surrounded by gardens, He began to think it was time to hold in the horses.

By the time-honour'd gloom of noble lime-trees o'er shadow'd, Which for many a century past on the spot had been rooted, Stood there a green and spreading grass-plot in front of the village, Cover'd with turf, for the peasants and neighbouring townsmen a playground. Scooped out under the trees, to no great depth, stood a fountain. On descending the steps, some benches of stone might be seen there, Ranged all around the spring, which ceaselessly well'd forth its waters, Cleanly, enclosed by a low wall all round, and convenient to draw from.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Iron Puddler by James J. Davis:

a pretty good mixer; I liked men and enjoyed mingling with them and learning all I could from what they told me. When they drifted into a saloon I went along for the company. I did not care to drink, so I would join some impromptu quartet and we would sing popular songs while the other fellows cheered us with the best will in the world. A drink of beer or two heightens a man's appreciation of music, and the way the boys applauded my singing makes me rather regret the Volstead Act. It queered my act. Since beer disappeared nobody has asked me to sing. Prohibition may be good for the health but it is sure death to art.