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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The King of the Golden River by John Ruskin:

the instant, the old gentleman interposed his conical cap, on which it crashed with a shock that shook the water out of it all over the room. What was very odd, the rolling-pin no sooner touched the cap than it flew out of Schwartz's hand, spinning like a straw in a high wind, and fell into the corner at the further end of the room.

"Who are you, sir?" demanded Schwartz, turning upon him. "What's your business?" snarled Hans.

"I'm a poor old man, sir," the little gentleman began very modestly, "and I saw your fire through the window and begged shelter for a quarter of an hour."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wheels of Chance by H. G. Wells:

other man in brown's attitude, as it flashed upon Hoopdriver, was a deliberate pose; he twirled his moustache and smiled faintly, and he was conscientiously looking amused. And the girl stood rigid, her arms straight by her side, her handkerchief clenched in her hand, and her face was flushed, with the faintest touch of red upon her eyelids. She seemed to Mr. Hoopdriver's sense to be indignant. But that was the impression of a second. A mask of surprised recognition fell across this revelation of emotion as she turned her head towards him, and the pose of the other man in brown vanished too in a momentary astonishment. And then he had passed them, and was riding on towards Haslemere to make what he

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

everything warmed and expanded.

"And it will always be so, will it not, my beloved? As I recall, this morning, the fresh and living delights revealed to me in that hour, I am conscious of a joy which makes me conceive of true love as an ocean of everlasting and ever-new experiences, into which we may plunge with increasing delight. Every day, every word, every kiss, every glance, must increase it by its tribute of past happiness. Hearts that are large enough never to forget must live every moment in their past joys as much as in those promised by the future. This was my dream of old, and now it is no longer a dream! Have I not met on this earth with an angel who had made me


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

saying that on the frontiers every dale had its battle, and every river its song. A rude species of chivalry was in constant use, and single combats were practised as the amusement of the few intervals of truce which suspended the exercise of war. The inveteracy of this custom may be inferred from the following incident:--

Bernard Gilpin, the apostle of the north, the first who undertook to preach the Protestant doctrines to the Border dalesmen, was surprised, on entering one of their churches, to see a gauntlet or mail-glove hanging above the altar. Upon inquiring; the meaning of a symbol so indecorous being displayed in that sacred