| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1984 by George Orwell: 'You're only a rebel from the waist downwards,' he told her.
She thought this brilliantly witty and flung her arms round him in delight.
In the ramifications of party doctrine she had not the faintest interest.
Whenever he began to talk of the principles of Ingsoc, doublethink, the
mutability of the past, and the denial of objective reality, and to use
Newspeak words, she became bored and confused and said that she never paid
any attention to that kind of thing. One knew that it was all rubbish, so
why let oneself be worried by it? She knew when to cheer and when to boo,
and that was all one needed. If he persisted in talking of such subjects,
she had a disconcerting habit of falling asleep. She was one of those
people who can go to sleep at any hour and in any position. Talking to her,
 1984 |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Wyoming by William MacLeod Raine: her fingers, and plunged into the brilliant "Carmen" overture.
Susceptible as this man was to the influence of music, he could
not fail to be arrested by so perfect an interpretation of his
mood. He stood rooted, was carried back again in imagination to a
great artiste's rendering of that story of fierce passion and
aching desire so brilliantly enacted under the white sunbeat of a
country of cloudless skies. Imperceptibly she drifted into other
parts of the opera. Was it the wild, gypsy seductiveness of
_Carmen_ that he felt, or, rather, this American girl's
allurement? From "Love will like a birdling fly" she slipped into
the exquisitely graceful snatches of song with which _Carmen_
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