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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

hitherto been gained on earth. One must, however, go still further, and also declare war, relentless war to the knife, against the "atomistic requirements" which still lead a dangerous after-life in places where no one suspects them, like the more celebrated "metaphysical requirements": one must also above all give the finishing stroke to that other and more portentous atomism which Christianity has taught best and longest, the SOUL- ATOMISM. Let it be permitted to designate by this expression the belief which regards the soul as something indestructible, eternal, indivisible, as a monad, as an atomon: this belief ought to be expelled from science! Between ourselves, it is not at all


Beyond Good and Evil
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

circle round one centre of pain. The paralysing immobility of a life every circumstance of which is regulated after an unchangeable pattern, so that we eat and drink and lie down and pray, or kneel at least for prayer, according to the inflexible laws of an iron formula: this immobile quality, that makes each dreadful day in the very minutest detail like its brother, seems to communicate itself to those external forces the very essence of whose existence is ceaseless change. Of seed-time or harvest, of the reapers bending over the corn, or the grape gatherers threading through the vines, of the grass in the orchard made white with broken blossoms or strewn with fallen fruit: of these we know nothing and can know

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Psychology of Revolution by Gustave le Bon:

Helena:--

``The most influential and enlightened generals had long been pressing the general of Italy to take steps to place himself at the head of the Republic. He refused; he was not yet strong enough to walk quite alone. He had ideas upon the art of governing and upon what was necessary to a great nation which were so different from those of the men of the Revolution and the assemblies that, not being able to act alone, he feared to compromise his character. He determined to set out for Egypt, but resolved to reappear if circumstances should arise to render his presence useful or necessary.''

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

light of flames and slaughter.

Since the death of Napoleon, circumstances, about which the author must keep silence, have still farther dissolved the original bond of this secret society, always extraordinary, sometimes sinister, as though it lived in the blackest pages of Mrs. Radcliffe. A somewhat strange permission to relate in his own way a few of the adventures of these men (while respecting certain susceptibilities) has only recently been given to him by one of those anonymous heroes to whom all society was once occultly subjected. In this permission the writer fancied he detected a vague desire for personal celebrity.

This man, apparently still young, with fair hair and blue eyes, whose


Ferragus