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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pivot of Civilization by Margaret Sanger:

endeavour the most penetrating thinkers are now turning to the consideration of our problem as a fundamental necessity to American civilization. They are coming to see that a QUALITATIVE factor as opposed to a QUANTITATIVE one is of primary importance in dealing with the great masses of humanity.

Certain fundamental convictions should be made clear here. The programme for Birth. Control is not a charity. It is not aiming to interfere in the private lives of poor people, to tell them how many children they should have, nor to sit in judgment upon their fitness to become parents. It aims, rather, to awaken responsibility, to answer the demand for a scientific means by which and through which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

the steps that led to the throne of Manator. Behind the throne he parted the arras and found the secret opening. Into this he bore the girl and down a long, narrow corridor and winding runways that led to lower levels until they came to the pits of the palace of O-Tar. Here was a labyrinth of passages and chambers presenting a thousand hiding-places.

As Turan bore Tara up the steps toward the throne a score of warriors rose as though to rush forward to intercept them. "Stay!" cried Ghek, "or your jeddak dies," and they halted in their tracks, waiting the will of this strange, uncanny creature.

Presently Ghek took his eyes from the eyes of O-Tar and the


The Chessmen of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The American by Henry James:

and they inspired our friend, for the first time in his life, with a vague self-mistrust.

An observer with anything of an eye for national types would have had no difficulty in determining the local origin of this undeveloped connoisseur, and indeed such an observer might have felt a certain humorous relish of the almost ideal completeness with which he filled out the national mould. The gentleman on the divan was a powerful specimen of an American. But he was not only a fine American; he was in the first place, physically, a fine man. He appeared to possess that kind of health and strength which, when found in perfection, are the most impressive--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In the South Seas by Robert Louis Stevenson:

of a man - man himself, the rat and the land crab, its chief inhabitants; not more variously supplied with plants; and offering to the eye, even when perfect, only a ring of glittering beach and verdant foliage, enclosing and enclosed by the blue sea.

In no quarter are the atolls so thickly congregated, in none are they so varied in size from the greatest to the least, and in none is navigation so beset with perils, as in that archipelago that we were now to thread. The huge system of the trades is, for some reason, quite confounded by this multiplicity of reefs, the wind intermits, squalls are frequent from the west and south-west, hurricanes are known. The currents are, besides, inextricably