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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

that it was quite possible that Muller had already formed a clear opinion about the case, and that he was merely keeping it to himself. And yet he was glad to see that the little detective had apparently learned a lesson from his recent mistake concerning the death of Mrs. Kniepp - that he had somewhat lost confidence in his hitherto unerring instinct, and did not care to express any opinion until he had studied the matter a little closer. The commissioner was just a little bit vain, and just a little bit jealous of this humble detective's fame.

Muller shrugged his shoulders at the remark of his superior, and the two men stood silent, thinking over the case, as the Chief of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

Cartesians and the followers of Leibnitz in the seventeenth century; how was spirit to act upon matter, without ceasing, pro tanto, to be spirit? To evade this difficulty, the Gnostics postulated a series of emanations from God, becoming successively less and less spiritual and more and more material, until at the lowest end of the scale was reached the Demiurgus or Jehovah of the Old Testament, who created the world and appeared, clothed in material form, to the patriarchs. According to some of the Gnostics this lowest aeon or emanation was identical with the Jewish Satan, or the Ahriman of the Persians, who is called "the prince of this world," and the creation of the world was an


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1984 by George Orwell:

'You're only a rebel from the waist downwards,' he told her.

She thought this brilliantly witty and flung her arms round him in delight.

In the ramifications of party doctrine she had not the faintest interest. Whenever he began to talk of the principles of Ingsoc, doublethink, the mutability of the past, and the denial of objective reality, and to use Newspeak words, she became bored and confused and said that she never paid any attention to that kind of thing. One knew that it was all rubbish, so why let oneself be worried by it? She knew when to cheer and when to boo, and that was all one needed. If he persisted in talking of such subjects, she had a disconcerting habit of falling asleep. She was one of those people who can go to sleep at any hour and in any position. Talking to her,


1984
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Wyoming by William MacLeod Raine:

her fingers, and plunged into the brilliant "Carmen" overture. Susceptible as this man was to the influence of music, he could not fail to be arrested by so perfect an interpretation of his mood. He stood rooted, was carried back again in imagination to a great artiste's rendering of that story of fierce passion and aching desire so brilliantly enacted under the white sunbeat of a country of cloudless skies. Imperceptibly she drifted into other parts of the opera. Was it the wild, gypsy seductiveness of _Carmen_ that he felt, or, rather, this American girl's allurement? From "Love will like a birdling fly" she slipped into the exquisitely graceful snatches of song with which _Carmen_