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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the past or something you must release, and is drawn from The Foolish Virgin by Thomas Dixon:

and scrubbing. It was simply a part of the Game of Life she must play in the ideal home she would build. There was no drudgery in it for this reason. She was a soldier on the drill grounds preparing for the battle on the successful issue of which hung her happiness and the happiness of the one of whom she dreamed. She might miss some of the dangerous fun which Jane Anderson could enjoy without a scratch, but she would make sure of the fundamental things which Jane would never stop to consider.

She threw herself on the couch in her favorite

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

with full daemoniac fury upon the town. Though not as yet licenced physicians, we now had our degrees, and were pressed frantically into public service as the numbers of the stricken grew. The situation was almost past management, and deaths ensued too frequently for the local undertakers fully to handle. Burials without embalming were made in rapid succession, and even the Christchurch Cemetery receiving tomb was crammed with coffins of the unembalmed dead. This circumstance was not without effect on West, who thought often of the irony of the situation -- so many fresh specimens, yet none for his persecuted researches! We were frightfully overworked, and the terrific mental and nervous strain made my friend brood


Herbert West: Reanimator
The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac:

the arabesque, decorating the finest room in the house; a shade too little and it is nothing, a touch too much and all is confusion. Its task is to awake in the soul a thousand dormant ideas; it flies up and sweeps through space, scattering seeds in the air to be taken in by our ears and blossom in our heart. Believe me, in painting his Saint- Cecilia, Raphael gave the preference to music over poetry. And he was right; music appeals to the heart, whereas writing is addressed to the intellect; it communicates ideas directly, like a perfume. The singer's voice impinges not on the mind, not on the memory of happiness, but on the first principle of thought; it stirs the elements of sensation.