The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Peter Pan by James M. Barrie: such times it had been Wendy's custom to take him out of bed and
sit with him on her lap, soothing him in dear ways of her own
invention, and when he grew calmer to put him back to bed before
he quite woke up, so that he should not know of the indignity to
which she had subjected him. But on this occasion he had fallen
at once into a dreamless sleep. One arm dropped over the edge of
the bed, one leg was arched, and the unfinished part of his laugh
was stranded on his mouth, which was open, showing the little
pearls.
Thus defenceless Hook found him. He stood silent at the foot
of the tree looking across the chamber at his enemy. Did no
 Peter Pan |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Burning Daylight by Jack London: haunches and at the same time dragged Dede back into the saddle.
Showers of twigs and leaves fell upon them, and predicament
followed predicament, until they emerged on the hilltop the worse
for wear but happy and excited. Here no trees obstructed the
view. The particular hill on which they were, out-jutted from
the regular line of the range, so that the sweep of their vision
extended over three-quarters of the circle. Below, on the flat
land bordering the bay, lay Oakland, and across the bay was San
Francisco. Between the two cities they could see the white
ferry-boats on the water. Around to their right was Berkeley,
and to their left the scattered villages between Oakland and San
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Economist by Xenophon: [2] Cf. Aristoph. "Eccl." 878; ib. 929, {egkhousa mallon kai to son
psimuthion}: ib. 1072; "Plut." 1064.
[3] Lit. "enamelled or painted with anchusa or alkanet," a plant, the
wild bugloss, whose root yields a red dye. Cf. Aristoph. "Lys."
48; Theophr. "H. Pl." vii. 8. 3.
[4] See Becker, op. cit. p. 452; Breit. cf. "Anab." III. ii. 25;
"Mem." II. i. 22; Aristot. "Eth. Nic." iv. 3, 5, "True beauty
requires a great body."
Accordingly I put to her this question:[5] "Tell me, my wife, would
you esteem me a less lovable co-partner in our wealth, were I to show
you how our fortune stands exactly, without boasting of unreal
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Enchanted Island of Yew by L. Frank Baum: "I won't!" answered the boy. "I acknowledge no master in all the world!"
"Then you must fight," declared the prince, gravely. "If you win, I
will promise to serve you faithfully; and if I conquer you, then you
must acknowledge me your master, and obey my commands."
"Agreed!" cried the boy, with sudden energy, and he rushed into the
cave and soon returned clad in armor and bearing a sword and shield.
On the shield was pictured a bolt of lightning.
"Lightning will soon strike those three girls whose champion you seem
to be," he said tauntingly.
"The three girls defy your lightning!" returned the prince with a
smile. "I see you are brave enough."
 The Enchanted Island of Yew |