| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot: Mary at home."
"What is the treasure-trove?" said Mr. Farebrother.
"I'm going to be agent for two estates, Freshitt and Tipton;
and perhaps for a pretty little bit of land in Lowick besides:
it's all the same family connection, and employment spreads like water
if it's once set going. It makes me very happy, Mr. Farebrother"--
here Caleb threw back his head a little, and spread his arms on the elbows
of his chair--"that I've got an opportunity again with the letting
of the land, and carrying out a notion or two with improvements.
It's a most uncommonly cramping thing, as I've often told Susan,
to sit on horseback and look over the hedges at the wrong thing,
Middlemarch |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jane Eyre by Charlotte Bronte: "You shall tell me this part of the story another time," I said;
"but now I have a particular reason for wishing to hear all about
the fire. Was it suspected that this lunatic, Mrs. Rochester, had
any hand in it?"
"You've hit it, ma'am: it's quite certain that it was her, and
nobody but her, that set it going. She had a woman to take care of
her called Mrs. Poole--an able woman in her line, and very
trustworthy, but for one fault--a fault common to a deal of them
nurses and matrons--she KEPT A PRIVATE BOTTLE OF GIN BY HER, and now
and then took a drop over-much. It is excusable, for she had a hard
life of it: but still it was dangerous; for when Mrs. Poole was
Jane Eyre |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac: reasoning with inoffensive smiles. An approximate nearness of
age, a similarity in ways of thinking, a common love of fresh
air, and of the rich landscape scenery through which the coach
was lumbering along,--these things, together with an
indescribable magnetic something, drew us before long into one of
those short-lived traveller's intimacies, in which we unbend with
the more complacency because the intercourse is by its very
nature transient, and makes no implicit demands upon the future.
We had not come thirty leagues before we were talking of women
and love. Then, with all the circumspection demanded in such
matters, we proceeded naturally to the topic of our lady-loves.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Memorabilia by Xenophon: that of evil a cloud hangs on the brow.
Soc. Then here again are looks with it is possible to represent?
Parrh. Decidedly.
Soc. Furthermore, as through some chink or crevice, there pierces
through the countenance of a man, through the very posture of his body
as he stands or moves, a glimpse of his nobility and freedom, or again
of something in him low and grovelling--the calm of self-restraint,
and wisdom, or the swagger of insolence and vulgarity?
You are right (he answered).
Soc. Then these too may be imitated?
No doubt (he said).
The Memorabilia |
