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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Wild by Jack London:

greeting or a cheering word, and to sit down for a long talk with them ("gas" he called it) was as much his delight as theirs. He had a way of taking Buck's head roughly between his hands, and resting his own head upon Buck's, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

movements combined, and immediately afterwards a slight suffusion of tears. A thrill of nerve-force is transmitted along several habitual channels, and produces an effect on any point where the will has not acquired through long habit much power of interference. The above actions may be considered as rudimental vestiges of the screaming-fits, which are so frequent and prolonged during infancy. In this case, as well as in many others, the links are indeed wonderful which connect cause and effect in giving rise to various expressions on the human countenance; and they explain to us the meaning of certain movements, which we involuntarily and unconsciously perform, whenever certain transitory emotions pass through our minds.


Expression of Emotion in Man and Animals
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

morning. By a certain hour, the long, vertical chinks in our western gable, where the boards had shrunk and separated, flashed suddenly into my eyes as stripes of dazzling blue, at once so dark and splendid that I used to marvel how the qualities could be combined. At an earlier hour, the heavens in that quarter were still quietly coloured, but the shoulder of the mountain which shuts in the canyon already glowed with sunlight in a wonderful compound of gold and rose and green; and this too would kindle, although more mildly and with rainbow tints, the fissures of our crazy gable. If I were sleeping heavily, it was the bold blue that struck me awake;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Republic by Plato:

beginning to separate from ideas. The world could no longer regard justice as a cube, and was learning to see, though imperfectly, that the abstractions of sense were distinct from the abstractions of mind. Between the Eleatic being or essence and the shadows of phenomena, the Pythagorean principle of number found a place, and was, as Aristotle remarks, a conducting medium from one to the other. Hence Plato is led to introduce a third term which had not hitherto entered into the scheme of his philosophy. He had observed the use of mathematics in education; they were the best preparation for higher studies. The subjective relation between them further suggested an objective one; although the passage from one to the other is really imaginary (Metaph.). For metaphysical and moral


The Republic