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Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

convert them in their turn when you go home.'

I think I see my father's face! I would rather tackle the Gaetulian lion in his den than embark on such an enterprise against the family theologian.

But now the hunt was up; priest and soldier were in full cry for my conversion; and the Work of the Propagation of the Faith, for which the people of Cheylard subscribed forty-eight francs ten centimes during 1877, was being gallantly pursued against myself. It was an odd but most effective proselytising. They never sought to convince me in argument, where I might have attempted some defence; but took it for granted that I was both ashamed and terrified at my

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry:

about the lady in the Pullman car I laughed for five minutes.

"That showed what a comparative thing life is. A man may see so much that he'd be bored to turn his head to look at a $3,000,000 fire or Joe Weber or the Adriatic Sea. But let him herd sheep for a spell, and you'll see him splitting his ribs laughing at 'Curfew Shall Not Ring To-night,' or really enjoying himself playing cards with ladies.

"By-and-by Ogden gets out a decanter of Bourbon, and then there is a total eclipse of sheep.

"'Do you remember reading in the papers, about a month ago,' says he, 'about a train hold-up on the M. K. & T.? The express agent was shot through the shoulder, and about $15,000 in currency taken. And


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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Innocence and Experience by William Blake:

Where our table with cherries and nuts is spread: Come live, and be merry, and join with me, To sing the sweet chorus of 'Ha ha he!'

A CRADLE SONG

Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams!

Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild,


Songs of Innocence and Experience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

sujets/ of the Academie Royale de Musique. Tullia is merely a pseudonym like du Bruel's name of de Cursy.

"For the ten years between 1817 and 1827 Tullia was in her glory on the heights of the stage of the Opera. With more beauty than education, a mediocre dancer with rather more sense than most of her class, she took no part in the virtuous reforms which ruined the corps de ballet; she continued the Guimard dynasty. She owed her ascendency, moreover, to various well-known protectors, to the Duc de Rhetore (the Due de Chaulieu's eldest son), to the influence of a famous Superintendent of Fine Arts, and sundry diplomatists and rich foreigners. During her apogee she had a neat little house in the Rue