Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Lindsay Lohan

The first excerpt represents the past or something you must release, and is drawn from The Apology by Xenophon:

he added: "By a lifelong persistence in doing nothing wrong, and that I take to be the finest practice for his defence which a man could devise." Presently reverting to the topic, Hermogenes demanded: "Do you not see, SOcrates, how often Athenian juries[8] are constrained by arguments to put quite innocent people to death, and not less often to acquit the guilty, either through some touch of pity excited by the pleadings, or that the defendant had skill to turn some charming phrase?" Thus appealed to, Socrates replied: "Nay, solemnly I tell you, twice already I have essayed to consider my defence, and twice the divinity[9] hinders me"; and to the remark of Hermogenes, "That is strange!" he answered again: "Strange, do you call it, that to God it


The Apology
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Jude the Obscure by Thomas Hardy:

it was ugly. And then I thought of what you had said this morning as to whether we ought."

They walked on vaguely, till she paused, and her little voice began anew: "It seems so weak, too, to vacillate like this! And yet how much better than to act rashly a second time.... How terrible that scene was to me! The expression in that flabby woman's face, leading her on to give herself to that gaol-bird, not for a few hours, as she would, but for a lifetime, as she must. And the other poor soul--to escape a nominal shame which was owing to the weakness of her character, degrading herself to the real shame of bondage to a tyrant who scorned her--a man whom to avoid for ever was her only chance of salvation.... This is our parish church, isn't it?


Jude the Obscure
The third excerpt represents the future or something you must embrace, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

twigs which had crept in between the planks was broken, and it had been broken very recently, for the leaves were still fresh and the sap was oozing from the crushed stem. Muller walked over to the fence and examined the twig carefully. He soon saw how it came to be broken. The broken part was about the height of a man's knee from the ground. And just at this height there was quite a space between two of the planks of the fence, heavy planks which were laid cross-ways and nailed to thick posts. It would have been very easy for anybody to get a foothold in this open space between the planks.

It was very evidently some foot thrust in between the planks which