| The first excerpt represents the past or something you must release, and is drawn from From London to Land's End by Daniel Defoe: Kensington, where he died; but her Majesty always discovered her
delight to be at Windsor, where she chose the little house, as it
was called, opposite to the Castle, and took the air in her chaise
in the parks and forest as she saw occasion.
Now Hampton Court, by the like alternative, is come into request
again; and we find his present Majesty, who is a good judge too of
the pleasantness and situation of a place of that kind, has taken
Hampton Court into his favour, and has made it much his choice for
the summer's retreat of the Court, and where they may best enjoy
the diversions of the season. When Hampton Court will find such
another favourable juncture as in King William's time, when the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Journey to the Center of the Earth by Jules Verne: "Oh," says my uncle, "that's nothing to signify. You are only a
little bit tired."
"But you, uncle, you seem in very good spirits this morning."
"Delighted, my boy, delighted. We have got there."
"To our journey's end?"
"No; but we have got to the end of that endless sea. Now we shall go
by land, and really begin to go down! down! down!"
"But, my dear uncle, do let me ask you one question."
"Of course, Axel."
"How about returning?"
"Returning? Why, you are talking about the return before the arrival."
 Journey to the Center of the Earth |
The third excerpt represents the future or something you must embrace, and is drawn from The Princess by Alfred Tennyson: Revolts, republics, revolutions, most
No graver than a schoolboys' barring out;
Too comic for the serious things they are,
Too solemn for the comic touches in them,
Like our wild Princess with as wise a dream
As some of theirs--God bless the narrow seas!
I wish they were a whole Atlantic broad.'
'Have patience,' I replied, 'ourselves are full
Of social wrong; and maybe wildest dreams
Are but the needful preludes of the truth:
For me, the genial day, the happy crowd,
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