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Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ion by Plato:

SOCRATES: Then, my dear friend, can I be mistaken in saying that Ion is equally skilled in Homer and in other poets, since he himself acknowledges that the same person will be a good judge of all those who speak of the same things; and that almost all poets do speak of the same things?

ION: Why then, Socrates, do I lose attention and go to sleep and have absolutely no ideas of the least value, when any one speaks of any other poet; but when Homer is mentioned, I wake up at once and am all attention and have plenty to say?

SOCRATES: The reason, my friend, is obvious. No one can fail to see that you speak of Homer without any art or knowledge. If you were able to speak of him by rules of art, you would have been able to speak of all other

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Profits of Religion by Upton Sinclair:

heretics administer true sacraments, no matter how depraved they may be. Correctness of belief was thus the sole essential; virtue was a wholly subordinate consideration. How completely under such a system religion and morals came to be dissociated is seen in the remarks of Pius II, that the Franciscans were excellent theologians, but cared nothing about virtue.

This, in fact, was the direct result of the system of persecution embodied in the Inquisition. Heretics who were admitted to be patterns of virtue were ruthlessly exterminated in the name of Christ, while in the same holy name the orthodox could purchase absolution for the vilest of crimes for a few coins. When the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

and get her to give you a line of introduction to him, saying he would do her an eminent favor if he would give a piece of friendly advice to the bearer of the note, and then you and I will take it to him to-morrow about one o'clock. But tell Tullia she must request her uncle to keep secret about it. Go, my dear. Celeste, our dear child, will be a millionaire! I can't say more; but she'll have, from me, a husband who will put her on a pinnacle."

"Do you want me to tell you the first letters of his name?"

"Yes."

"T. P.,--Theodose de la Peyrade. You are right. That's a man who may, if supported by a woman like you, become a minister."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

progressive spectacle. Sometimes such visions came to him; his mind, accustomed to great generalisations and yet acutely sensitive to detail, saw things far more comprehensively than the minds of most of his contemporaries. Usually the teeming sphere moved on to its predestined ends and circled with a stately swiftness on its path about the sun. Usually it was all a living progress that altered under his regard. But now fatigue a little deadened him to that incessancy of life, it seemed now just an eternal circling. He lapsed to the commoner persuasion of the great fixities and recurrencies of the human routine. The remoter past of wandering savagery, the inevitable changes of to-morrow


The Last War: A World Set Free