Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

Where I delve they but skim. Behind those labourers and artisans of Nantes, counselling them, urging on these poor, stupid, ignorant toilers to shed their blood in pursuit of the will o' the wisp of freedom, are the sail-makers, the spinners, the ship-owners and the slave-traders. The slave-traders! The men who live and grow rich by a traffic in human flesh and blood in the colonies, are conducting at home a campaign in the sacred name of liberty! Don't you see that the whole movement is a movement of hucksters and traders and peddling vassals swollen by wealth into envy of the power that lies in birth alone? The money-changers in Paris who hold the bonds in the national debt, seeing the parlous financial condition of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

the fre offered Levin a drink.

"What do you say to my home-brew, eh? Good, eh?" said he, winking.

And truly Levin had never drunk any liquor so good as this warm water with green bits floating in it, and a taste of rust from the tin dipper. And immediately after this came the delicious, slow saunter, with his hand on the scythe, during which he could wipe away the streaming sweat, take deep breaths of air, and look about at the long string of mowers and at what was happening around in the forest and the country.

The longer Levin mowed, the oftener he felt the moments of

Anna Karenina

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reef by Edith Wharton:

of the man, he scrambled up again to the platform. As he reached it, a descending umbrella caught him in the collar- bone; and the next moment, bent sideways by the wind, it turned inside out and soared up, kite-wise, at the end of a helpless female arm.

Darrow caught the umbrella, lowered its inverted ribs, and looked up at the face it exposed to him.

"Wait a minute," he said; "you can't stay here."

As he spoke, a surge of the crowd drove the owner of the umbrella abruptly down on him. Darrow steadied her with extended arms, and regaining her footing she cried out: "Oh,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac:

to yield ourselves up; but in the expression of the old lady's face there were traces too of perennial regret. At least, it was thus that the painter chose to interpret her attitude and countenance, and he presently sat down again by her side.

"Madame," he said, "in a very short time the colors of that pastel will have disappeared. The portrait will only survive in your memory. Where you will still see the face that is dear to you, others will see nothing at all. Will you allow me to reproduce the likeness on canvas? It will be more permanently recorded then than on that sheet of paper. Grant me, I beg, as a neighborly favor, the pleasure of doing you this service. There