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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jerusalem Delivered by Torquato Tasso:

The Turks too weak seemed to sustain his might, And could not from his power their lives defend, Their ensigns rent, and broke was their array, And men and horse on heaps together lay.

CXI O'erthrown likewise away the right wing ran, Nor was there one again that turned his face, Save bold Argantes, else fled every man, Fear drove them thence on heaps, with headlong chase: He stayed alone, and battle new began, Five hundred men, weaponed with sword and mace,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

imagination had helped the clumsy official mind to its proudest triumphs. The commissioner was an intelligent man, as far as his lights went, and he was a good-hearted man. He rose from his chair and walked over to where the detective stood. "You needn't look so embarrassed, Muller," he said. "There is no cause for you to feel bad about it. And - I am quite willing to admit that my remark just now was unnecessary. You may give your imagination full rein, we can trust to your intelligence and your devotion to duty to keep it from unnecessary flights. So curbed, I know it will be of as much assistance to us this time as it always has been."

Muller's quiet face lit up, and his eyes shone in a happiness that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis:

have a foul vapor hanging to their reeking sides. Here, inside, is a little broken figure of an angel pointing upward from the mantel-shelf; but even its wings are covered with smoke, clotted and black. Smoke everywhere! A dirty canary chirps desolately in a cage beside me. Its dream of green fields and sunshine is a very old dream,--almost worn out, I think.

From the back-window I can see a narrow brick-yard sloping down to the river-side, strewed with rain-butts and tubs. The river, dull and tawny-colored, (la belle riviere!) drags itself sluggishly along, tired of the heavy weight of boats and coal- barges. What wonder? When I was a child, I used to fancy a


Life in the Iron-Mills
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

wicked King Pelias, who dethroned his father. "You are welcome, brave Jason," said King Aetes. "Pray, are you on a pleasure voyage?--Or do you meditate the discovery of unknown islands?--or what other cause has procured me the happiness of seeing you at my court?"

"Great sir," replied Jason, with an obeisance--for Chiron had taught him how to behave with propriety, whether to kings or beggars--"I have come hither with a purpose which I now beg your majesty's permission to execute. King Pelias, who sits on my father's throne (to which he has no more right than to the one on which your excellent majesty is now seated), has engaged


Tanglewood Tales