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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Shadow Line by Joseph Conrad:

and ages. Acting the Flying Dutchman in the China Sea! Ha! Ha!"

"But why should he replace the bottles like this?" . . . I began.

"Why shouldn't he? Why should he want to throw the bottles away? They fit the drawer. They belong to the medicine chest."

"And they were wrapped up," I cried.

"Well, the wrappers were there. Did it from habit, I suppose, and as to refilling, there is always a lot of stuff they send in paper parcels that burst


The Shadow Line
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

fearing to fire his piece lest he kill some of his comrades.

It was Olson who engaged him, and though unused to the long German rifle and bayonet, he met the bull-rush of the Hun with the cold, cruel precision and science of English bayonet-fighting. There was no feinting, no retiring and no parrying that was not also an attack. Bayonet-fighting today is not a pretty thing to see--it is not an artistic fencing-match in which men give and take--it is slaughter inevitable and quickly over.

Dietz lunged once madly at Olson's throat. A short point, with just a twist of the bayonet to the left sent the sharp blade over the Englishman's left shoulder. Instantly he stepped close in,


Out of Time's Abyss
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

to which his aunt had alluded. "I don't believe that there is anything to be called an intrigue."

"I have heard a dozen people speak of it; they say she is quite carried away by him."

"They are certainly very intimate," said Winterbourne.

Mrs. Costello inspected the young couple again with her optical instrument. "He is very handsome. One easily sees how it is. She thinks him the most elegant man in the world, the finest gentleman. She has never seen anything like him; he is better, even, than the courier. It was the courier probably who introduced him; and if he succeeds in marrying the young lady, the courier will come in for a magnificent commission."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

devised for the purpose of explaining the obscure phenomena of mental disease. If this be so, they afford an excellent collateral illustration of the belief in werewolves. The same mental habits which led men to regard the insane or epileptic person as a changeling, and which allowed them to explain catalepsy as the temporary departure of a witch's soul from its body, would enable them to attribute a wolf's nature to the maniac or idiot with cannibal appetites. And when the myth-forming process had got thus far, it would not stop short of assigning to the unfortunate wretch a tangible lupine body; for all ancient mythology teemed with precedents for such a


Myths and Myth-Makers