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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Juana by Honore de Balzac:

conceiving the Christ,--the glowing imagination of the boldest and also the warmest of painters.

In this young girl three things were united, a single one of which would have sufficed for the glory of a woman: the purity of the pearl in the depths of ocean; the sublime exaltation of the Spanish Saint Teresa; and a passion of love which was ignorant of itself. The presence of such a woman has the virtue of a talisman. Montefiore no longer felt worn and jaded. That young girl brought back his youthful freshness.

But, though the apparition was delightful, it did not last. The girl was taken back to the secret chamber, where the servant-woman carried

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fairy Tales by Hans Christian Andersen:

story, they would say that he was imitating it, and that he had no need to do. He would, therefore, not talk about it at all; and that was wisely thought.

*Peter Schlemihl, the shadowless man.

In the evening he went out again on the balcony. He had placed the light directly behind him, for he knew that the shadow would always have its master for a screen, but he could not entice it. He made himself little; he made himself great: but no shadow came again. He said, "Hem! hem!" but it was of no use.

It was vexatious; but in the warm lands everything grows so quickly; and after the lapse of eight days he observed, to his great joy, that a new shadow came in the sunshine. In the course of three weeks he had a very fair shadow,


Fairy Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cavalry General by Xenophon:

the importer of goods with open arms); sham deserters may be found occasionally useful.[10] Not, of course, that the confidence you feel in your spies must ever cause you to neglect outpost duty; indeed your state of preparation should at any moment be precisely what it ought to be, supposing the approach or the imminent arrival of the enemy were to be announced. Let a spy be ever so faithful, there is always the risk he may fail to report his intelligence at the critical moment, since the obstacles which present themselves in war are not to be counted on the fingers.

[10] Cf. "Cyrop." VI. i. 39, where one of the Persians, Araspas, undertakes to play this role to good effect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chronicles of the Canongate by Walter Scott:

saying, Every man cannot be a boatswain. If there must be a great actor to act Hamlet, there must also be people to act Laertes, the King, Rosencrantz, and Guildenstern, otherwise a drama cannot go on. If even Garrick himself were to rise from the dead, he could not act Hamlet alone. There must be generals, colonels, commanding-officers, subalterns. But what are the private soldiers to do? Many have mistaken their own talents, and have been driven in early youth to try the stage, to which they are not competent. He would know what to say to the indifferent poet and to the bad artist. He would say that it was foolish, and he would recommend to the poet to become a scribe,