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Today's Stichomancy for Lizzie Borden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

"Sir, I beg you to excuse my visit and my costume; but young people are not very ceremonious with one another, and I was so anxious to see you to-day that I have not even gone to the hotel to which I have sent my luggage, and have rushed straight here, fearing that, after all, I might miss you, early as it is."

I begged M. Duval to sit down by the fire; he did so, and, taking his handkerchief from his pocket, hid his face in it for a moment.

"You must be at a loss to understand," he went on, sighing sadly, "for what purpose an unknown visitor, at such an hour, in such a costume, and in tears, can have come to see you. I have simply


Camille
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayflower Compact:

Anno. Domini, 1620.

Mr. John Carver Mr. Stephen Hopkins Mr. William Bradford Digery Priest Mr. Edward Winslow Thomas Williams Mr. William Brewster Gilbert Winslow Isaac Allerton Edmund Margesson Miles Standish Peter Brown John Alden Richard Bitteridge John Turner George Soule Francis Eaton Edward Tilly James Chilton John Tilly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

a personal letter. Yet it was to talk over his call with Miss Gaynor that he was now returning to the scene of that episode; and it was because Mrs. Vervain could be trusted to handle the talking over as skilfully as the interview itself that, at her corner, he had felt the dilettante's irresistible craving to take a last look at a work of art that was passing out of his possession.

On the whole, he knew no one better fitted to deal with the unexpected than Mrs. Vervain. She excelled in the rare art of taking things for granted, and Thursdale felt a pardonable pride in the thought that she owed her excellence to his training.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Waste Land by T. S. Eliot:

Ere the worm pierce your winding-sheet, ere the spider Make a thin curtain for your epitaphs.

411. Cf. INFERNO, xxxiii. 46:

ed io sentii chiavar l'uscio di sotto all'orribile torre.

Also F. H. Bradley, _Appearance and Reality_, p. 346:

My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it. . . . In brief, regarded as an existence which appears in a soul,


The Waste Land