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Today's Stichomancy for Lizzie Borden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

inn on a steep little street overlooking the lower town. And as he went out on the balcony of his room and gazed down at the sea of red tiled roofs and cobbled ways and the pleasant fields beyond, all mellow and magical in the slanted light, he swore that Ulthar would be a very likely place to dwell in always, were not the memory of a greater sunset city ever goading one onward toward unknown perils. Then twilight fell, and the pink walls of the plastered gables turned violet and mystic, and little yellow lights floated up one by one from old lattice windows. And sweet bells pealed in. the temple tower above, and the first star winked softly above the meadows across the Skai. With the night came song, and

The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf:

sometimes, sometimes diminishing it, and always running the risk of losing every penny of it in a day's disaster. But although she wondered, she could not help loving him the better for his odd combination of Spartan self-control and what appeared to her romantic and childish folly. Ralph interested her more than any one else in the world, and she often broke off in the middle of one of these economic discussions, in spite of their gravity, to consider some fresh aspect of his character.

"I think you'd be foolish to risk your money on poor old Charles," she observed. "Fond as I am of him, he doesn't seem to me exactly brilliant. . . . Besides, why should you be sacrificed?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Sportsman by Xenophon:

season at which the dams calve.[5] Some one should go beforehand into the rank meadowlands[6] and reconnoitre where the hinds are congregated, and wherever that may be, the master of the hounds will set off--with his hounds and a supply of javelins--before daylight to the place in question. Here he will attach the hounds to trees[7] some distance off, for fear of their barking,[8] when they catch sight of the deer. That done he will choose a specular point himself and keep a sharp look-out.[9] As day breaks he will espy the hinds leading their fawns to the places where they will lay them severally to rest.[10] Having made them lie down and suckled them, they will cast anxious glances this way and that to see that no one watches them; and then

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Legend of Montrose by Walter Scott:

child. When I fled in my fear from the vengeance of my husband's foes, our bark was overwhelmed in the tide, and my infant perished. This was on St. Bridget's morn, near the strong Lyns of Campsie. May ill luck light upon the day." And the maiden answered, "It was on St. Bridget's morn, and twelve harvests before this time, that the fishermen of Campsie drew in their nets neither grilse nor salmon, but an infant half dead, who hath since lived in misery, and must die, unless she is now aided." And the Lady answered, "Blessed be Saint Bridget and her morn, for these are the dark eyes and the falcon look of my slain lord; and thine shall be the inheritance of his widow." And she called