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Today's Stichomancy for Louis Armstrong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Old Maid by Honore de Balzac:

of my old schoolmates; Monsieur de Troisville, my niece, Mademoiselle Cormon."

"Ah! that good uncle; how well he does it!" thought Rose-Marie- Victoire.

The Vicomte de Troisville was, to paint him in two words, du Bousquier ennobled. Between the two men there was precisely the difference which separates the vulgar style from the noble style. If they had both been present, the most fanatic liberal would not have denied the existence of aristocracy. The viscount's strength had all the distinction of elegance; his figure had preserved its magnificent dignity. He had blue eyes, black hair, an olive skin, and looked to be about forty-six

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville:

suing; so that he hath a thousand wives or more. And he lieth never but one night with one of them, and another night with another; but if that one happen to be more lusty to his pleasance than another. And therefore the king getteth full many children, some-time an hundred, some-time a two-hundred, and some-time more. And he hath also into a 14,000 elephants or more that he maketh for to be brought up amongst his villains by all his towns. For in case that he had any war against any other king about him, then [he] maketh certain men of arms for to go up into the castles of tree made for the war, that craftily be set upon the elephants' backs, for to fight against their enemies. And so do other kings

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

big enough to lend a hand to the family industry, is an investment in which the only danger is that of temporary over-capitalization. Then there are the variations in family sentiment. Sometimes the family organization is as frankly political as the organization of an army or an industry: fathers being no more expected to be sentimental about their children than colonels about soldiers, or factory owners about their employees, though the mother may be allowed a little tenderness if her character is weak. The Roman father was a despot: the Chinese father is an object of worship: the sentimental modern western father is often a play-fellow looked to for toys and pocket-money. The farmer sees his children constantly: the squire sees them only during

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Treasure Island by Robert Louis Stevenson:

Treasure Island