| The first excerpt represents the past or something you must release, and is drawn from The Secret Places of the Heart by H. G. Wells: easily to meet and pass the throbbing little car as he sat
beside her and talked to her. He fell into that expository
manner which comes so easily to the native entertaining the
visitor from abroad.
"In England, it seems to me there are four main phases of
history. Four. Avebury, which I would love to take you to see
to-morrow. Stonehenge. Old Sarum, which we shall see in a
moment as a great grassy mound on our right as we come over
one of these crests. Each of them represents about a thousand
years. Old Sarum was Keltic; it, saw the Romans and the
Saxons through, and for a time it was a Norman city. Now it
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: handiwork Nozdrev averred to constitute the "sublimity of
superfluity"--a term which, in the Nozdrevian vocabulary, purported to
signify the acme of perfection).
[2] That is to say, a distinctively Russian name.
Finally, after some hors-d'oeuvres of sturgeon's back, they sat down
to table--the time being then nearly five o'clock. But the meal did
not constitute by any means the best of which Chichikov had ever
partaken, seeing that some of the dishes were overcooked, and others
were scarcely cooked at all. Evidently their compounder had trusted
chiefly to inspiration--she had laid hold of the first thing which had
happened to come to hand. For instance, had pepper represented the
Dead Souls |
The third excerpt represents the future or something you must embrace, and is drawn from Sophist by Plato: the relation of the Sophist to other dialogues.
I. The Sophist in Plato is the master of the art of illusion; the
charlatan, the foreigner, the prince of esprits-faux, the hireling who is
not a teacher, and who, from whatever point of view he is regarded, is the
opposite of the true teacher. He is the 'evil one,' the ideal
representative of all that Plato most disliked in the moral and
intellectual tendencies of his own age; the adversary of the almost equally
ideal Socrates. He seems to be always growing in the fancy of Plato, now
boastful, now eristic, now clothing himself in rags of philosophy, now more
akin to the rhetorician or lawyer, now haranguing, now questioning, until
the final appearance in the Politicus of his departing shadow in the
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