Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Louis B. Mayer

The first excerpt represents the past or something you must release, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

susceptible to derangement: it is like a ship without armour plate protection. The objective of the antagonist is the motor or the fuel-tank, the vital parts of the machine, as much as the aviator seated within.

A well-planted shot, which upsets the mechanism of the engine, or a missile which perforates the fuel tank, thereby depriving the motor of its sustenance, will ensure victory as conclusively as the death of the aviator himself. Rifle fire can achieve either of these ends with little difficulty. Apart from these two nerve-centres, bombardment is not likely to effect the desired disablement, inasmuch as it cannot be rendered completely

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Frankenstein by Mary Shelley:

I said in one of my letters, my dear Margaret, that I should find no friend on the wide ocean; yet I have found a man who, before his spirit had been broken by misery, I should have been happy to have possessed as the brother of my heart.

I shall continue my journal concerning the stranger at intervals, should I have any fresh incidents to record.

August 13th, 17-

My affection for my guest increases every day. He excites at once my admiration and my pity to an astonishing degree. How can I see so noble a creature destroyed by misery without feeling the most poignant grief? He is so gentle, yet so wise; his mind is so cultivated,


Frankenstein
The third excerpt represents the future or something you must embrace, and is drawn from Emma by Jane Austen:

seeing nothing, except that he had found a seat by Miss Fairfax, followed Mr. Cole, to add his very pressing entreaties; and as, in every respect, it suited Emma best to lead, she gave a very proper compliance.

She knew the limitations of her own powers too well to attempt more than she could perform with credit; she wanted neither taste nor spirit in the little things which are generally acceptable, and could accompany her own voice well. One accompaniment to her song took her agreeably by surprize--a second, slightly but correctly taken by Frank Churchill. Her pardon was duly begged at the close of the song, and every thing usual followed. He was accused


Emma