| The first excerpt represents the past or something you must release, and is drawn from Frances Waldeaux by Rebecca Davis: cheerfully.
"I think you had better go away, girls, if you have
finished your dejeuner. He may be here at any moment
now," said Clara, looking anxiously at her watch.
Lucy went to her little chamber and sat down to work at
a monstrous caricature which she was painting of the
church. Jean paced up and down the stone corridor,
looking out of the window into the Platz.
"He has come," she said excitedly, appearing at Lucy's
door. "He went into the church first, to say an ave for
help, poor little man! His fat face is quite pale and
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Duchess of Padua by Oscar Wilde: And as I looked upon his evil face
Suddenly like a flame there flashed across me,
There is the barrier which Guido spoke of:
You said there lay a barrier between us,
What barrier but he? -
I hardly know
What happened, but a steaming mist of blood
Rose up between us two.
GUIDO
Oh, horrible!
DUCHESS
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The third excerpt represents the future or something you must embrace, and is drawn from The Mad King by Edgar Rice Burroughs: am apprehended
I shall see that you pay for my recapture
with your life--if any one enters this room without my
sanction they will enter it to find a dead king upon the
floor; do you understand?"
The king made no reply other than to commence divesting
himself of his clothing. Barney followed his example, but
not before he had crossed to the door that opened into the
main corridor and shot the bolt upon the inside. When both
men had removed their clothing Barney pointed to the little
pile of soiled peasant garb that he had worn.
The Mad King |
