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Today's Stichomancy for Louis B. Mayer

The first excerpt represents the past or something you must release, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

little less than sacred. The act of Astok, Prince of Dusar, was profanation. There was no terror in the eyes of Thuvia of Ptarth--only horror for the thing the man had done and for its possible consequences.

"Release me." Her voice was level--frigid.

The man muttered incoherently and drew her roughly toward him.

"Release me!" she repeated sharply, "or I call the guard, and the Prince of Dusar knows what that will mean."

Quickly he threw his right arm about her shoulders and strove to draw her face to his lips. With a little cry she struck him full in the mouth with the massive bracelets


Thuvia, Maid of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Letters by Robert Louis Stevenson:

hair - and I only designed the book to run to about 200; but when you introduce the female sect, a book does run away with you. I am very curious to see what you will think of my two girls. My own opinion is quite clear; I am in love with both. I foresee a few pleasant years of spiritual flirtations. The creator (if I may name myself, for the sake of argument, by such a name) is essentially unfaithful. For the duration of the two chapters in which I dealt with Miss Grant, I totally forgot my heroine, and even - but this is a flat secret - tried to win away David. I think I must try some day to marry Miss Grant. I'm blest if I don't think

The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

whom they are possessed, and have plenty of dances and words for that, but take no heed of any other. And you, Ion, when the name of Homer is mentioned have plenty to say, and have nothing to say of others. You ask, 'Why is this?' The answer is that you praise Homer not by art but by divine inspiration.

ION: That is good, Socrates; and yet I doubt whether you will ever have eloquence enough to persuade me that I praise Homer only when I am mad and possessed; and if you could hear me speak of him I am sure you would never think this to be the case.

SOCRATES: I should like very much to hear you, but not until you have answered a question which I have to ask. On what part of Homer do you