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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by Oscar Wilde:

Is it not said that many years ago, In a far Eastern town, some soldiers ran With torches through the midnight, and began To wrangle for mean raiment, and to throw Dice for the garments of a wretched man, Not knowing the God's wonder, or His woe?

Poem: The New Remorse

The sin was mine; I did not understand. So now is music prisoned in her cave, Save where some ebbing desultory wave Frets with its restless whirls this meagre strand.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.

It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience. Annette, with papa, Aunt Nina, and Philip, was late reaching her box. The curtain was up, and "La Juive" was pouring forth defiance at her angry persecutors. Annette listened breathlessly. In fancy, she too was ringing her voice out to an


The Goodness of St. Rocque and Other Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

know is the same as the knowledge of what you do not know; and also in the distinction between 'what you know' and 'that you know,' (Greek;) here too is the first conception of an absolute self-determined science (the claims of which, however, are disputed by Socrates, who asks cui bono?) as well as the first suggestion of the difficulty of the abstract and concrete, and one of the earliest anticipations of the relation of subject and object, and of the subjective element in knowledge--a 'rich banquet' of metaphysical questions in which we 'taste of many things.' (7) And still the mind of Plato, having snatched for a moment at these shadows of the future, quickly rejects them: thus early has he reached the conclusion that there can be no science which is a 'science of nothing' (Parmen.).

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anthem by Ayn Rand:

guess the word. . . .

What--even if we have to burn for it like the Saint of the Pyre--what is the Unspeakable Word?

PART THREE

We, Equality 7-2521, have discovered a new power of nature. And we have discovered it alone, and we alone are to know it.

It is said. Now let us be lashed for it, if we must. The Council of Scholars has said that we all know the things which exist


Anthem