| The first excerpt represents the past or something you must release, and is drawn from Second Inaugural Address by Abraham Lincoln: of the presidential office, there is less occasion for an extended
address than there was at the first. Then a statement, somewhat
in detail, of a course to be pursued, seemed fitting and proper.
Now, at the expiration of four years, during which public declarations
have been constantly called forth on every point and phase of the great
contest which still absorbs the attention and engrosses the energies
of the nation, little that is new could be presented. The progress
of our arms, upon which all else chiefly depends, is as well known
to the public as to myself; and it is, I trust, reasonably satisfactory
and encouraging to all. With high hope for the future, no prediction
in regard to it is ventured.
Second Inaugural Address |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Golden Threshold by Sarojini Naidu: Her mother's fillet with fringes of pearls;
Quickly she turned with a child's caprice
And pressed on the mirror a swift, glad kiss.
Queen Gulnaar laughed like a tremulous rose:
"Here is my rival, O King Feroz."
THE POET TO DEATH
Tarry a while, O Death, I cannot die
While yet my sweet life burgeons with its spring;
Fair is my youth, and rich the echoing boughs
Where dhadikulas sing.
Tarry a while, O Death, I cannot die
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The third excerpt represents the future or something you must embrace, and is drawn from Idylls of the King by Alfred Tennyson: Look to thy woodcraft,' and so leaving him,
Now with slack rein and careless of himself,
Now with dug spur and raving at himself,
Now with droopt brow down the long glades he rode;
So marked not on his right a cavern-chasm
Yawn over darkness, where, nor far within,
The whole day died, but, dying, gleamed on rocks
Roof-pendent, sharp; and others from the floor,
Tusklike, arising, made that mouth of night
Whereout the Demon issued up from Hell.
He marked not this, but blind and deaf to all
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