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Today's Stichomancy for Lucille Ball

The first excerpt represents the past or something you must release, and is drawn from The Rescue by Joseph Conrad:

He didn't know that Mrs. Travers was simply trying to recover the full command of her faculties. His words had given her a terrible shock. After managing to utter this defensive "croyez-vous" which came out of her lips cold and faint as if in a last effort of dying strength, she felt herself turn rigid and speechless. She was thinking, stiff all over with emotion: "D'Alcacer has seen it! How much more has he been able to see?" She didn't ask herself that question in fear or shame but with a reckless resignation. Out of that shock came a sensation of peace. A glowing warmth passed through all her limbs. If d'Alcacer had peered by that smoky light into her face he might have seen on

The Rescue
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

seemingly on mere guesses. "I believe," says Olivarez, "that all was done well: but as I have said, in wounds in the head there are strange labyrinths." So on the 7th they stand round the bed in despair. Don Garcia de Toledo, the prince's faithful governor, is sitting by him, worn out with sleepless nights, and trying to supply to the poor boy that mother's tenderness which he has never known. Alva, too, is there, stern, self-compressed, most terrible, and yet most beautiful. He has a God on earth, and that is Philip his master; and though he has borne much from Don Carlos already, and will have to bear more, yet the wretched lad is to him as a son of God, a second deity, who will by right divine succeed to the

The third excerpt represents the future or something you must embrace, and is drawn from New Poems by Robert Louis Stevenson:

Draw away.

Light the fires And close the door. To the old homes, To the loved shore, The far-farers Return no more.


COME, my little children, here are songs for you; Some are short and some are long, and all, all are new. You must learn to sing them very small and clear,