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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the Cage by Henry James:

more on the point of her again placing herself where he could see her hourly, and for her to recognise that she had as yet given him no sane reason for delay he had small need to describe himself as unable to make out what she was up to. As if, with her absurd bad reasons, she could have begun to tell him! Sometimes she thought it would be amusing to let him have them full in the face, for she felt she should die of him unless she once in a while stupefied him; and sometimes she thought it would be disgusting and perhaps even fatal. She liked him, however, to think her silly, for that gave her the margin which at the best she would always require; and the only difficulty about this was that he hadn't enough

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from End of the Tether by Joseph Conrad:

It was a recently opened and untidy thoroughfare with rudimentary side-walks and a soft layer of dust cushion- ing the whole width of the road. One end touched the slummy street of Chinese shops near the harbor, the other drove straight on, without houses, for a couple of miles, through patches of jungle-like vegetation, to the yard gates of the new Consolidated Docks Company. The crude frontages of the new Government buildings alter- nated with the blank fencing of vacant plots, and the view of the sky seemed to give an added spaciousness to the broad vista. It was empty and shunned by natives

End of the Tether
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Egmont by Johann Wolfgang Von Goethe:

insignificant; and as men of science carefully investigate the secrets of nature, so I hold it to be the duty, ay, the very vocation of a prince, to acquaint himself with the dispositions and intentions of all parties. I have reason to fear an outbreak. The king has long acted according to certain principles; he finds that they do not lead to a prosperous issue; what more probable than that he should seek it some other way?

Egmont. I do not believe it. When a man grows old, has attempted much, and finds that the world cannot be made to move according to his will, he must needs grow weary of it at last.

Orange. One thing has yet to be attempted.

Egmont. What?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Journey to the Center of the Earth by Jules Verne:

"I was thinking of that," he replied with great simplicity.

What could those words mean? - Was he actually going to listen to reason? Was he contemplating the abandonment of his plans? This was too good to be true.

After a few moments' silence, during which I dared not question him, he resumed:

"I was thinking of that. Ever since we arrived at Stapi I have been occupied with the important question you have just opened, for we must not be guilty of imprudence."

"No, indeed!" I replied with forcible emphasis.

"For six hundred years Snæfell has been dumb; but he may speak again.

Journey to the Center of the Earth