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Today's Stichomancy for Lucky Luciano

The first excerpt represents the past or something you must release, and is drawn from The Scarlet Letter by Nathaniel Hawthorne:

Towards her mother, too, Pearl's errand as a messenger of anguish was fulfilled. "Hester," said the clergyman, "farewell!" "Shall we not meet again?" whispered she, bending her face down close to his. "Shall we not spend our immortal life together? Surely, surely, we have ransomed one another, with all this woe! Thou lookest far into eternity, with those bright dying eyes! Then tell me what thou seest!"


The Scarlet Letter
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Venus and Adonis by William Shakespeare:

Would they not wish the feast might ever last, And bid Suspicion double-lock the door, Lest Jealousy, that sour unwelcome guest, Should, by his stealing in, disturb the feast?' 448

Once more the ruby-colour'd portal open'd, Which to his speech did honey passage yield, 452 Like a red morn, that ever yet betoken'd Wrack to the seaman, tempest to the field, Sorrow to shepherds, woe unto the birds, Gusts and foul flaws to herdmen and to herds. 456

This ill presage advisedly she marketh:

The third excerpt represents the future or something you must embrace, and is drawn from Where There's A Will by Mary Roberts Rinehart:

glass again. "Some women spell fate f-a-t-e," she said, looking at the water, "but I spell it without the e."

She took half of it and then put down the glass. "Honestly," she declared, "I'd rather be fat."

Mr. Pierce met them there a few minutes later and they had a three-cornered chat. But Miss Summers evidently didn't know just how much I knew and was careful of what she said. Once, however, when I was in the pantry she thought I was beyond ear- shot.

"Good heavens, Pierce," she said, "if they could put THAT in a play!"