The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: again. He had returned, and he had not come to the little house. But
then - what could Henri mean to her, his coming or his going? Was she
to add to her other sins against Harvey the supreme one of being
interested in Henri?
Not that she said all that, even to herself. There was a wave of
gladness and then a surge of remorse. That is all. But it was a very
sober Sara Lee who put on her black suit with the white collar that
afternoon and ordered, by Jean's suggestion, the evening's preparations
as though nothing was to happen.
She looked round her little room before she left it. It might not be
there when she returned. So she placed Harvey's photograph under her
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Princess by Alfred Tennyson: Truest friend and noblest foe;
Yet she neither spoke nor moved.
Stole a maiden from her place,
Lightly to the warrior stept,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee--
Like summer tempest came her tears--
'Sweet my child, I live for thee.'
VI
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