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Today's Stichomancy for Lucy Liu

The first excerpt represents the past or something you must release, and is drawn from The Unseen World and Other Essays by John Fiske:

famous siege and capture of Antwerp by Alexander Farnese, Duke of Parma. The siege was a long one, and the resistance obstinate, and the city would probably not have been captured if famine had not come to the assistance of the besiegers. It is interesting, therefore, to inquire what steps the civic authorities had taken to prevent such a calamity. They knew that the struggle before them was likely to be the life-and-death struggle of the Southern Netherlands; they knew that there was risk of their being surrounded so that relief from without would be impossible; they knew that their assailant was one of the most astute and unconquerable of men, by far the greatest general of the

The Unseen World and Other Essays
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iron Puddler by James J. Davis:

turn their whole families in to till it. What is the answer? Teach our young to love the soil and to till it well, or else an alien race will take away their heritage. The first lesson in Mooseheart is to till the soil.

But in addition to being a farm, Mooseheart is a town. The young folk live in cottages and do their own cooking and house-keeping. There are no great dormitories where hundreds sleep, and no vast dining-room where they march in to the goose-step. We are preparing them for a free life, and the only place they use the goose-step is in the penitentiary. Mooseheart is a town instead of an institution. All "institutionalism" is

The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac:

another woman would be hideous, would disgust me, so that the slightest indication of it would be enough to destroy my love,--why is it that in you it pleases me, fascinates me? Oh, how I love you!' he continued. 'All your faults, your frights, your petty foibles, add an indescribable charm to your character. I feel that I should detest a Sappho, a strong, courageous woman, overflowing with energy and passion. O sweet and fragile creature! how couldst thou be otherwise? That angel's voice, that refined voice, would have been an anachronism coming from any other breast than thine.'

" 'I can give you no hope,' she said. 'Cease to speak thus to me, for people would make sport of you. It is impossible for me to shut the