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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

army with wholesome awe, and from that time forth even articles dropped in the highway were not picked up.]

27. If we know that our own men are in a condition to attack, but are unaware that the enemy is not open to attack, we have gone only halfway towards victory.

[That is, Ts`ao Kung says, "the issue in this case is uncertain."]

28. If we know that the enemy is open to attack, but are unaware that our own men are not in a condition to attack, we have gone only halfway towards victory.

[Cf. III. ss. 13 (1).]


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Passionate Pilgrim by William Shakespeare:

And whether that my angel be turn'd fiend, Suspect I may, yet not directly tell: For being both to me, both to each friend, I guess one angel in another's hell: The truth I shall not know, but live in doubt, Till my bad angel fire my good one out.

III.

Did not the heavenly rhetoric of thine eye, 'Gainst whom the world could not hold argument. Persuade my heart to this false perjury? Vows for thee broke deserve not punishment.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Letters by Robert Louis Stevenson:

it is no fun to meddle in politics!

I suppose you're right about Simon. But it is Symon throughout in that blessed little volume my father bought for me in Inverness in the year of grace '81, I believe - the trial of James Stewart, with the Jacobite pamphlet and the dying speech appended - out of which the whole of Davie has already been begotten, and which I felt it a kind of loyalty to follow. I really ought to have it bound in velvet and gold, if I had any gratitude! and the best of the lark is, that the name of David Balfour is not anywhere within the bounds of it.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adieu by Honore de Balzac:

The peasant-woman gazed at Monsieur Fanjat and the colonel; then, like an animal which recognizes its master, she turned her head slowly to the countess, and continued to watch her, without giving any sign of surprise or intelligence. The air was stifling; the stone bench glittered in the sunlight; the meadow exhaled to heaven those impish vapors which dance and dart above the herbage like silvery dust; but Genevieve seemed not to feel this all-consuming heat.

The colonel pressed the hand of the doctor violently in his own. Tears rolled from his eyes along his manly cheeks, and fell to the earth at the feet of his Stephanie.

"Monsieur," said the uncle, "for two years past, my heart is broken