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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Altar of the Dead by Henry James:

of Hague's it could only have been a deception more or less finely practised. Where had it come into the life that all men saw? Why had one never heard of it if it had had the frankness of honourable things? Stransom knew enough of his other ties, of his obligations and appearances, not to say enough of his general character, to be sure there had been some infamy. In one way or another this creature had been coldly sacrificed. That was why at the last as well as the first he must still leave him out and out.

CHAPTER IX.

AND yet this was no solution, especially after he had talked again to his friend of all it had been his plan she should finally do for

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

length, from respect or fear, or perhaps from great love, he chose the foot, and kissed it hastily, like a maiden who dares not. Then immediately he took up his book, feeling his red cheeks redder still, and exercised with his pleasure, he cried like a blind man--"Janua coeli,: gate of Heaven." But Blanche did not move, making sure that the page would go from foot to knee, and thence to "Janua coeli,: gate of Heaven." She was greatly disappointed when the litanies finished without any other mischief, and Rene, believing he had had enough happiness for one day, ran out of the room quite lively, richer from this hardy kiss than a robber who has robbed the poor-box.

When the seneschal's lady was alone, she thought to herself that this


Droll Stories, V. 1
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

asking, "HOW?" and "WHY?" the mighty Mother will only reply with that magnificent smile of hers, most genial, but most silent, which she has worn since the foundation of all worlds; that silent smile which has tempted many a man to suspect her of irony, even of deceit and hatred of the human race; the silent smile which Solomon felt, and answered in "Ecclesiastes;" which Goethe felt, and did not answer in his "Faust;" which Pascal felt, and tried to answer in his "Thoughts," and fled from into self-torture and superstition, terrified beyond his powers of endurance, as he found out the true meaning of St. John's vision, and felt himself really standing on that fragile and slippery "sea of glass," and close

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

if she kissed every man on the team, but she kissed me as if she had been wanting to do it for ages. Milly kissed the Rube, and so did the other women, to his infinite embarrassment. Nan's effect upon that crowd was most singular. She was sweetness and caprice and joy personified.

We settled down presently to something approaching order, and I, for one, with very keen ears and alert eyes, because I did not want to miss anything.

``I see the lambs a-gambolin','' observed McCall,


The Redheaded Outfield