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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ancient Regime by Charles Kingsley:

which is often a good substitute for the philosophy of the schools. We may feel against him a just and honest indignation when we remember that he dared to travestie into a foul satire the tale of his country's purest and noblest heroine; but we must recollect, at the same time, that he did a public service to the morality of his own country, and of all Europe, by his indignation--quite as just and honest as any which we may feel--at the legal murder of Calas. We must recollect that, if he exposes baseness and foulness with too cynical a license of speech (in which, indeed, he sinned no more than had the average of French writers since the days of Montaigne), he at least never advocates them, as did Le Sage. We must recollect

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gulliver's Travels by Jonathan Swift:

or admiral of the realm, very much in his master's confidence, and a person well versed in affairs, but of a morose and sour complexion. However, he was at length persuaded to comply; but prevailed that the articles and conditions upon which I should be set free, and to which I must swear, should be drawn up by himself. These articles were brought to me by Skyresh Bolgolam in person attended by two under-secretaries, and several persons of distinction. After they were read, I was demanded to swear to the performance of them; first in the manner of my own country, and afterwards in the method prescribed by their laws; which was, to hold my right foot in my left hand, and to place the middle


Gulliver's Travels
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Edition of The Ambassadors by Henry James:

this last idea that she soon reminded him of his having never even yet named to her the article produced at Woollett. "Do you remember our talking of it in London--that night at the play?" Before he could say yes, however, she had put it to him for other matters. Did he remember, did he remember--this and that of their first days? He remembered everything, bringing up with humour even things of which she professed no recollection, things she vehemently denied; and falling back above all on the great interest of their early time, the curiosity felt by both of them as to where he would "come out." They had so assumed it was to be in some wonderful place--they had thought of it as so very MUCH

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master of the World by Jules Verne:

apparition moving at such speed was scarcely practicable. A better way would be to erect across the roads solid gateways with which the flying machine must come in contact sooner or later, and be smashed into a thousand pieces.

"Nonsense!" declared the incredulous. "This madman would know well how to circle around such obstructions."

"And if necessary," added others," the machine would leap over the barriers."

"And if he is indeed the devil, he has, as a former angel, presumably preserved his wings, and so he will take to flight."

But this last was but the suggestion of foolish old gossips who did