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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

She disliked this little American girl, and she was quite prepared to learn that she had failed to commend herself to Miss Acton. Lizzie struck her as positive and explicit almost to pertness; and the idea of her combining the apparent incongruities of a taste for housework and the wearing of fresh, Parisian-looking dresses suggested the possession of a dangerous energy. It was a source of irritation to the Baroness that in this country it should seem to matter whether a little girl were a trifle less or a trifle more of a nonentity; for Eugenia had hitherto been conscious of no moral pressure as regards the appreciation of diminutive virgins. It was perhaps an indication of Lizzie's pertness that she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

alive! ---- As if I had the twelve celestial monsters of the zodiac to shew within, or was forced for a livelihood to turn retailer to May and Bartholomew Fairs. Therefore, if Her Majesty would but graciously be pleased to think a hardship of this nature worthy her royal consideration, and the next parliament, in their great wisdom cast but an eye towards the deplorable case of their old philomath, that annually bestows his poetical good wishes on them, I am sure there is one Isaac Bickerstaff, Esq; would soon be truss'd up for his bloody predictions, and putting good subjects in terror of their lives: And that henceforward to murder a man by way of prophecy, and bury him in a printed

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Old Maid by Honore de Balzac:

attracted the eye to their rosy, well-shaped nails. In short, had it not been for his magisterial and stupendous nose, the chevalier might have been thought a trifle too dainty.

We must here compel ourselves to spoil this portrait by the avowal of a littleness. The chevalier put cotton in his ears, and wore, appended to them, two little ear-rings representing negroes' heads in diamonds, of admirable workmanship. He clung to these singular appendages, explaining that since his ears had been bored he had ceased to have headaches (he had had headaches). We do not present the chevalier as an accomplished man; but surely we can pardon, in an old celibate whose heart sends so much blood to his left cheek, these adorable

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Daughter of Eve by Honore de Balzac:

three of them, unknown to Nathan, have privately sold the paper to the new ministry, so sure are they of ejecting him."

"Monsieur Nathan is incapable of accepting money from an actress."

"You don't know that class of people, my dear," said the count. "He would not deny the fact if you asked him."

"I will certainly go to the ball," said the countess.

"You will be very much amused," replied Vandenesse. "With such weapons in hand you can cut Nathan's complacency to the quick, and you will also do him a great service. You will put him in a fury; he'll try to be calm, though inwardly fuming; but, all the same, you will enlighten a man of talent as to the peril in which he really stands; and you