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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and Peace by Leo Tolstoy:

"Get over what?" inquired Pierre, looking displeased.

Julie smiled.

"You know, Count, such knights as you are only found in Madame de Souza's novels."

"What knights? What do you mean?" demanded Pierre, blushing.

"Oh, come, my dear count! C'est la fable de tout Moscou. Je vous admire, ma parole d'honneur!"*

*"It is the talk of all Moscow. My word, I admire you!"

"Forfeit, forfeit!" cried the militia officer.

"All right, one can't talk- how tiresome!"

"What is 'the talk of all Moscow'?" Pierre asked angrily, rising


War and Peace
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shakespeare's Sonnets by William Shakespeare:

I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go,-- My mistress, when she walks, treads on the ground: And yet by heaven, I think my love as rare, As any she belied with false compare.

CXXXI

Thou art as tyrannous, so as thou art, As those whose beauties proudly make them cruel; For well thou know'st to my dear doting heart Thou art the fairest and most precious jewel.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Man of Business by Honore de Balzac:

belongs to me. The lease is taken out in my name.'

"You know Maxime! He thought the coach-builder uncommonly green. Croizeau might pay all three bills, and get nothing for a long while; for Maxime felt more infatuated with Antonia than ever."

"I can well believe it," said La Palferine. "She is the /bella Imperia/ of our day."

"With her rough skin!" exclaimed Malaga; "so rough, that she ruins herself in bran baths!"

"Croizeau spoke with a coach-builder's admiration of the sumptuous furniture provided by the amorous Denisart as a setting for his fair one, describing it all in detail with diabolical complacency for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

ardent ecclesiastic or to some good abbe of forty with three chins; to a young girl of pure life such as is brought up in certain middle- class families; to a mother of twenty, still full of illusions, as she suckles her first-born; to a young man newly embarked from the provinces, and intrusted to the care of some devout dowager who keeps him without a sou; or, perhaps, to some shop assistant who goes to bed at midnight wearied out with folding and unfolding calico, and rises at seven o'clock to arrange the window; often again to some man of science or poetry, who lives monastically in the embrace of a fine idea, who remains sober, patient, and chaste; else to some self- contented fool, feeding himself on folly, reeking of health, in a


The Girl with the Golden Eyes