Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

the veil be torn. His sole aim is to chronicle his own impressions. It is for him that pictures are painted, books written, and marble hewn into form.

ERNEST. I seem to have heard another theory of Criticism.

GILBERT. Yes: it has been said by one whose gracious memory we all revere, and the music of whose pipe once lured Proserpina from her Sicilian fields, and made those white feet stir, and not in vain, the Cumnor cowslips, that the proper aim of Criticism is to see the object as in itself it really is. But this is a very serious error, and takes no cognisance of Criticism's most perfect form, which is in its essence purely subjective, and seeks to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lay Morals by Robert Louis Stevenson:

rubbed him where and how he bade her. 'This is a cruel thing that old age should be rheumaticky,' said he. 'When I was young I stood my turn of the teethache like a man! for why? because it couldn't last for ever; but these rheumatics come to live and die with you. Your aunt was took before the time came; never had an ache to mention. Now I lie all night in my single bed and the blood never warms in me; this knee of mine it seems like lighted up with rheumatics; it seems as though you could see to sew by it; and all the strings of my old body ache, as if devils was pulling 'em. Thank you kindly; that's someways easier now, but an old man, my dear,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

All its birds and all its blossoms, All its flowers and leaves and grasses. Sailing on the wind to northward, Flying in great flocks, like arrows, Like huge arrows shot through heaven, Passed the swan, the Mahnahbezee, Speaking almost as a man speaks; And in long lines waving, bending Like a bow-string snapped asunder, Came the white goose, Waw-be-wawa; And in pairs, or singly flying,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Boys' Life of Abraham Lincoln by Helen Nicolay:

graphic words, "in view from the windows of the Capitol a sort of negro livery-stable, where droves of negroes were collected, temporarily kept, and finally taken to Southern markets, precisely like droves of horses."

To Lincoln and to other people who disapproved of slavery, the idea of human beings held in bondage under the very shadow of the dome of the Capitol seemed indeed a bitter mockery. As has already been stated, he did not then believe Congress had the right to interfere with slavery in States that chose to have it; but in the District of Columbia the power of Congress was supreme, and the matter was entirely different. His bill provided