Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Origin of Species by Charles Darwin:

physical conditions of a country as the most important for its inhabitants; whereas it cannot, I think, be disputed that the nature of the other inhabitants, with which each has to compete, is at least as important, and generally a far more important element of success. Now if we look to those inhabitants of the Galapagos Archipelago which are found in other parts of the world (laying on one side for the moment the endemic species, which cannot be here fairly included, as we are considering how they have come to be modified since their arrival), we find a considerable amount of difference in the several islands. This difference might indeed have been expected on the view of the islands having been stocked by occasional means of transport--a seed, for instance, of one plant having been brought to one

On the Origin of Species

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Iliad by Homer:

fiercely did they fight; and this was the mind in which they were--the Achaeans did not believe they should escape destruction but thought themselves doomed, while there was not a Trojan but his heart beat high with the hope of firing the ships and putting the Achaean heroes to the sword.

Thus were the two sides minded. Then Hector seized the stern of the good ship that had brought Protesilaus to Troy, but never bore him back to his native land. Round this ship there raged a close hand-to-hand fight between Danaans and Trojans. They did not fight at a distance with bows and javelins, but with one mind hacked at one another in close combat with their mighty swords

The Iliad

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Salome by Oscar Wilde:

PREMIER SOLDAT. Je trouve que c'est ridicule de discuter sur de telles choses.

LE JEUNE SYRIEN. Comme la princesse Salome est belle ce soir!

LE PAGE D'HERODIAS. Vous la regardez toujours. Vous la regardez trop. Il ne faut pas regarder les gens de cette facon . . . Il peut arriver un malheur.

LE JEUNE SYRIEN. Elle est tres belle ce soir.

PREMIER SOLDAT. Le tetrarque a l'air sombre.

SECOND SOLDAT. Oui, il a l'air sombre.

PREMIER SOLDAT. Il regarde quelque chose.

SECOND SOLDAT. Il regarde quelqu'un.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

seeing that we are face to face with a genius of a very lofty order: not, indeed, of the loftiest--for there is always in Buchanan's work, it seems to me, a want of unconsciousness, and a want of tenderness--but still a genius worthy to be placed beside those ancient writers from whom he took his manner. Whether or not we agree with his contemporaries, who say that he equalled Virgil in Latin poetry, we may place him fairly as a prose writer by the side of Demosthenes, Cicero, or Tacitus. And so I pass from this painful subject; only quoting--if I may be permitted to quote--Mr. Burton's wise and gentle verdict on the whole. "Buchanan," he says, "though a zealous Protestant, had a good deal of the Catholic and sceptical