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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Alkahest by Honore de Balzac:

able to exist only in the light of his Pepita's dark eyes, did not even perceive her pregnancy, seldom shared the family life, and even forgot his own.

The longer Madame Claes postponed inquiring into the cause of his preoccupation the less she dared to do so. At the very idea, her blood ran cold and her voice grew faint. At last the thought occurred to her that she had ceased to please her husband, and then indeed she was seriously alarmed. That fear now filled her mind, drove her to despair, then to feverish excitement, and became the text of many an hour of melancholy reverie. She defended Balthazar at her own expense, calling herself old and ugly; then she imagined a generous though

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Arabian Nights by Robert Louis Stevenson:

torches would conceal him from sight, he reflected; and he hoped that they would drown the noise of his footsteps with their own empty voices. If he were but fleet and silent, he might evade their notice altogether.

Unfortunately, as he turned to beat a retreat, his foot rolled upon a pebble; he fell against the wall with an ejaculation, and his sword rang loudly on the stones. Two or three voices demanded who went there - some in French, some in English; but Denis made no reply, and ran the faster down the lane. Once upon the terrace, he paused to look back. They still kept calling after him, and just then began to double the pace in pursuit, with a considerable clank

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poems by Oscar Wilde:

Though the grey shadows of the night Lie yet on Florence like a pall.

The dew is bright upon the hill, And bright the blossoms overhead, But ah! the grasshoppers have fled, The little Attic song is still.

Only the leaves are gently stirred By the soft breathing of the gale, And in the almond-scented vale The lonely nightingale is heard.

The day will make thee silent soon,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Laches by Plato:

be courageous, are really wiser than mankind; or whether you will have the boldness, in the face of universal opinion, to deny their courage.

NICIAS: Why, Laches, I do not call animals or any other things which have no fear of dangers, because they are ignorant of them, courageous, but only fearless and senseless. Do you imagine that I should call little children courageous, which fear no dangers because they know none? There is a difference, to my way of thinking, between fearlessness and courage. I am of opinion that thoughtful courage is a quality possessed by very few, but that rashness and boldness, and fearlessness, which has no forethought, are very common qualities possessed by many men, many women, many children, many animals. And you, and men in general, call by the term 'courageous'