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Today's Stichomancy for Madonna

The first excerpt represents the past or something you must release, and is drawn from Albert Savarus by Honore de Balzac:

"Ah, once for all," said he, "not to torture me if my words should ill express my feelings, understand that my love is perfect; it carries with it absolute obedience and respect."

She bowed as a woman satisfied, and said, "Then monsieur accepts the treaty?"

"Yes," said he. "I can understand that in a rich and powerful feminine nature the faculty of loving ought not to be wasted, and that you, out of delicacy, wished to restrain it. Ah! Francesca, at my age tenderness requited, and by so sublime, so royally beautiful a creature as you are--why, it is the fulfilment of all my wishes. To love you as you desire to be loved--is not that enough to make a young

Albert Savarus
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Letters from England by Elizabeth Davis Bancroft:

Montpensier to remain at the Embassy, and they fell by inheritance to Mr. Van de Weyer, whose Queen is Louis Philippe's daughter. The Queen has taken Louis Philippe's daughter, Princess Clementine, who married Prince Auguste de Saxe-Coburg to the Palace, but for State Policy's sake she can do nothing about the others. Mr. Van de Weyer offered Mr. Bates's place of East Sheen, which was most gratefully accepted.


This morning came Thackeray, who is the soul of PUNCH, and showed me a piece he had written for the next number.


The third excerpt represents the future or something you must embrace, and is drawn from The Witch, et. al by Anton Chekhov:

"Semyon Glazov."

"Come, sign the receipt."

The postman signed the receipt and went out. At the entrance of the post-office there was the dark outline of a cart and three hors es. The horses were standing still except that one of the tracehorses kept uneasily shifting from one leg to the other and tossing its head, making the bell clang from time to time. The cart with the mail bags looked like a patch of darkness. Two silhouettes were moving lazily beside it: the student with a portmanteau in his hand and a driver. The latter was smoking a short pipe; the light of the pipe moved about in the darkness,