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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chronicles of the Canongate by Walter Scott:

hut of the least dimensions, and most miserable description that I ever saw even in the Highlands. The walls of sod, or DIVOT, as the Scotch call it, were not four feet high; the roof was of turf, repaired with reeds and sedges; the chimney was composed of clay, bound round by straw ropes; and the whole walls, roof, and chimney, were alike covered with the vegetation of house-leek, rye-grass, and moss common to decayed cottages formed of such materials. There was not the slightest vestige of a kale-yard, the usual accompaniment of the very worst huts; and of living things we saw nothing, save a kid which was browsing on the roof of the hut, and a goat, its mother, at some distance, feeding

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

impelled to offer thanks for that undeserved joy; when in sorrow, or pain, to call for strength to bear what must be borne.

Vailima lay up some three miles of continual rise from Apia, and more than half that distance from the nearest village. It was a long way for a tired man to walk down every evening with the sole purpose of joining in family worship; and the road through the bush was dark, and, to the Samoan imagination, beset with supernatural terrors. Wherefore, as soon as our household had fallen into a regular routine, and the bonds of Samoan family life began to draw us more closely together, Tusitala felt the necessity of including our retainers in our evening devotions. I suppose ours was the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac:

I will economize my income and pay your debts to their last farthing. From this day forth, Paul, I am another woman. I bid farewell forever to society; I will have no pleasures that you cannot share. Besides, Paul, I ought to leave Paris and live in retirement. Dear friend, you will soon have a noble reason to make your fortune. If your courage needed a spur you would find it in this. Cannot you guess? We shall have a child. Your cherished desires are granted. I feared to give you one of those false hopes which hurt so much--have we not had grief enough already on that score? I was determined not to be mistaken in this good news. To-day I feel certain, and it makes me happy to shed this joy upon

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

deafening roar of the bleachers the Rube walked off the field, having pitched Worcester into first place in the pennant race.

That night the boys planned their first job on the Rube. We had ordered a special Pullman for travel to Toronto, and when I got to the depot in the morning, the Pullman was a white fluttering mass of satin ribbons. Also, there was a brass band, and thousands of baseball fans, and barrels of old foot-gear. The Rube and Nan arrived in a cab and were immediately mobbed.


The Redheaded Outfield