| The first excerpt represents the past or something you must release, and is drawn from Somebody's Little Girl by Martha Young: sure-enough little girl, why that little girl would say, ``Don't.''
She would say ``Don't!'' just the same as a little girl in the row of
little girls all with blue checked aprons would say ``Don't,'' if you
pinched one of them ever so little.
There were no Sisters on that high mountain. Sister Helen Vincula
was the only Sister there. That seemed very strange to Bessie Bell.
One day the strangest thing of all so far happened.
One little girl called another little girl with whom she was
playing, ``Sister.''
Bessie Bell laughed at that.
``Oh, she is not a Sister!'' said Bessie Bell.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Shakespeare's Sonnets by William Shakespeare: Or whether revolution be the same.
O! sure I am the wits of former days,
To subjects worse have given admiring praise.
LX
Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith being crown'd,
Crooked eclipses 'gainst his glory fight,
|
The third excerpt represents the future or something you must embrace, and is drawn from Venus and Adonis by William Shakespeare: Before I know myself, seek not to know me;
No fisher but the ungrown fry forbears:
The mellow plum doth fall, the green sticks fast,
Or being early pluck'd is sour to taste. 528
'Look! the world's comforter, with weary gait
His day's hot task hath ended in the west;
The owl, night's herald, shrieks, 'tis very late;
The sheep are gone to fold, birds to their nest, 532
And coal-black clouds that shadow heaven's light
Do summon us to part, and bid good night.
'Now let me say good night, and so say you;
|
