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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

used to strike hands when making a good purchase, he took a step back and turning up his sleeves began raking the snow off Nikita and out of the sledge. Having done this he hurriedly undid his girdle, opened out his fur coat, and having pushed Nikita down, lay down on top of him, covering him not only with his fur coat but with the whole of his body, which glowed with warmth. After pushing the skirts of his coat between Nikita and the sides of the sledge, and holding down its hem with his knees, Vasili Andreevich lay like that face down, with his head pressed against the front of the sledge. Here he no longer heard the horse's movements or the whistling of the wind, but

Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rescue by Joseph Conrad:

man, not the least crumb of her time, not the least particle of her thought! He needed it all. To see it withdrawn from him for the merest instant was irritating--seemed a disaster.

D'Alcacer, left alone, wondered at the imperious tone of Lingard's call. To this observer of shades the fact seemed considerable. "Sheer nerves," he concluded, to himself. "The man is overstrung. He must have had some sort of shock." But what could it be--he wondered to himself. In the tense stagnation of those days of waiting the slightest tremor had an enormous importance. D'Alcacer did not seek his camp bedstead. He didn't even sit down. With the palms of his hands against the edge of

The Rescue
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The White Moll by Frank L. Packard:

possession of her. She did not know Shluker, or anything about Shluker's place except its locality; but surely "the old room behind Shluker's" was direction enough, and - She had just emerged from the end of the driveway now, and now, startled, she turned her head quickly, as she heard a brisk step turning in from the street behind her. But in the darkness she could see no one, and satisfied, therefore, that she in turn had not been seen, she moved swiftly to one side, and crouched down against the rear wall of one of the tenements. A long moment, that seemed an eternity, passed, and then a man's form came out from the driveway, and started across the courtyard.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

from laughing outright; and does hold in, but his body quakes in a jelly-like way with interior chuckles; and at the end of the ten minutes the audience have laughed until they are exhausted, and the tears are running down their faces.

The simplicity and innocence and sincerity and unconsciousness of the old farmer are perfectly simulated, and the result is a performance which is thoroughly charming and delicious. This is art--and fine and beautiful, and only a master can compass it; but a machine could tell the other story.

To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they