The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Damnation of Theron Ware by Harold Frederic: beginning to fall upon that beautiful pile of white paper,
still unstained by ink. He saw the book he wanted to write
before him, in his mental vision, much more distinctly
than ever, but the idea of beginning it impetuously,
and hurling it off hot and glowing week by week, had faded
away like a dream.
This long afternoon, spent face to face with a project
born of his own brain but yesterday, yet already so
much bigger than himself, was really a most fruitful
time for the young clergyman. The lessons which cut
most deeply into our consciousness are those we learn
The Damnation of Theron Ware |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Henry VI by William Shakespeare: Disgracing of these colors that I wear
In honor of my noble Lord of York:--
Dar'st thou maintain the former words thou spakest?
BASSET.
Yes, sir; as well as you dare patronage
The envious barking of your saucy tongue
Against my lord the Duke of Somerset.
VERNON.
Sirrah, thy lord I honor as he is.
BASSET.
Why, what is he? as good a man as York.
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Apology by Xenophon: mere good-for-nothing, worthless alike to his city, his friends, and
himself. As to Anytus, even though the grave has closed upon him, his
evil reputation still survives him, due alike to his son's base
bringing-up and his own want of human feeling.
Socrates did, it is true, by his self-laudation draw down upon him the
jealousy of the court and caused his judges all the more to record
their votes against him. Yet even so I look upon the lot of destiny
which he obtained as providential,[58] chancing as he did upon the
easiest amidst the many shapes of death,[59] and escaping as he did
the one grievous portion of existence. And what a glorious chance,
moreover, he had to display the full strength of his soul, for when
The Apology |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry: had a strong witness in the man's countenance. His face
was too long, a dull saffron in hue, and immobile as a
statue's. Pale-blue, unwinking round eyes without
lashes added to the singularity of his gruesome visage.
Goree was at a loss to account for the visit.
"Everything all right at Laurel, Mr. Garvey?" he
inquired.
"Everything all right, sir, and mighty pleased is Missis
Garvey and me with the property. Missis Garvey likes
yo' old place, and she likes the neighbourhood. Society
is what she 'lows she wants, and she is gettin' of it. The
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