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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the past or something you must release, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

That matter being finished, and the trunks being unpacked, she decided to take her first bath in the sea, expecting me to support her through the trying ordeal of the surf. As we were returning from the beach we met a carriage containing a number of persons with a family resemblance.

When Aunt Eliza saw them she angrily exclaimed, "Am I to see those Uxbridges every day?"

Of the Uxbridges this much I knew--that the two brothers Uxbridge were the lawyers of her opponents in the lawsuit which had existed three or four years. I had never felt any interest in it, though I knew that it was concerning a tract of ground in the city which had

The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare:

To give away thy land, Come place him here by me- Do thou for him stand. The sweet and bitter fool Will presently appear; The one in motley here, The other found out there. Lear. Dost thou call me fool, boy? Fool. All thy other titles thou hast given away; that thou wast born with. Kent. This is not altogether fool, my lord.


King Lear
The third excerpt represents the future or something you must embrace, and is drawn from Madame Firmiani by Honore de Balzac:

been all my joy. There rises in my soul a voice which my tenderness cannot stifle. Ah! I have wept to feel that I have more conscience than love. Were you to commit a crime I would hide you in my bosom from human justice, but my devotion could go no farther. Love, to a woman, means boundless confidence, united to a need of reverencing, of esteeming, the being to whom she belongs. I have never conceived of love otherwise than as a fire in which all noble feelings are purified still more,--a fire which develops them.

"'I have but one thing else to say: come to me poor, and my love shall be redoubled. If not, renounce it. Should I see you no more,