| The first excerpt represents the past or something you must release, and is drawn from Old Indian Legends by Zitkala-Sa: along the slippery bank he vainly tried to climb, till at last he
chanced upon the old stake and the deeply worn footpath. Exhausted
and inwardly disgusted with his mishaps, he crawled more cautiously
on all fours to his wigwam door. Dripping with his recent plunge
he sat with chattering teeth within his unfired wigwam.
The sun had set and the night air was chilly, but there was no
fire-wood in the dwelling. "Hin!" murmured Manstin and bravely
tried the other rope. "I go for some fire-wood!" he said,
following the rawhide rope which led into the forest. Soon he
stumbled upon thickly strewn dry willow sticks. Eagerly with both
hands he gathered the wood into his outspread blanket. Manstin was
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Pair of Blue Eyes by Thomas Hardy: acquaintance, or from a hankering desire to hear the meaning of
the dark oracles Stephen had hastily pronounced, betokening that
he knew something more of Elfride than Knight had supposed.
He made a hasty dinner, inquired for Smith, and soon was ushered
into the young man's presence, whom he found sitting in front of a
comfortable fire, beside a table spread with a few scientific
periodicals and art reviews.
'I have come to you, after all,' said Knight. 'My manner was odd
this morning, and it seemed desirable to call; but that you had
too much sense to notice, Stephen, I know. Put it down to my
wanderings in France and Italy.'
 A Pair of Blue Eyes |
The third excerpt represents the future or something you must embrace, and is drawn from Tales of Unrest by Joseph Conrad: editor came very often. He thought him rather an ass because he had
such big front teeth (the proper thing is to have small, even teeth)
and wore his hair a trifle longer than most men do. However, some
dukes wear their hair long, and the fellow indubitably knew his
business. The worst was that his gravity, though perfectly portentous,
could not be trusted. He sat, elegant and bulky, in the drawing-room,
the head of his stick hovering in front of his big teeth, and talked
for hours with a thick-lipped smile (he said nothing that could be
considered objectionable and not quite the thing) talked in an unusual
manner--not obviously irritatingly. His forehead was too
lofty--unusually so--and under it there was a straight nose, lost
 Tales of Unrest |