The first excerpt represents the past or something you must release, and is drawn from Options by O. Henry: outfit had smiled repeatedly, rolled and lit cigarettes by squads, and
walked away contemptuously.
"I went straight to Captain Floyd, and says to him: 'Sam, I don't
think this war is a straight game. You know as well as I do that Bob
Turner was one of the whitest fellows that ever threw a leg over a
saddle, and now these wirepullers in Washington have fixed his clock.
He's politically and ostensibly dead. It ain't fair. Why should they
keep this thing up? If they want Spain licked, why don't they turn
the San Augustine Rifles and Joe Seely's ranger company and a car-load
of West Texas deputy-sheriffs onto these Spaniards, and let us
exonerate them from the face of the earth? I never did,' says I,
 Options |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iliad by Homer: then he killed Thoon and Ennomus. After these he struck
Chersidamas in the loins under his shield as he had just sprung
down from his chariot; so he fell in the dust and clutched the
earth in the hollow of his hand. These he let lie, and went on to
wound Charops son of Hippasus own brother to noble Socus. Socus,
hero that he was, made all speed to help him, and when he was
close to Ulysses he said, "Far-famed Ulysses, insatiable of craft
and toil, this day you shall either boast of having killed both
the sons of Hippasus and stripped them of their armour, or you
shall fall before my spear."
With these words he struck the shield of Ulysses. The spear went
 The Iliad |
The third excerpt represents the future or something you must embrace, and is drawn from The Recruit by Honore de Balzac: She dared not stay away any longer from her guests; but before
re-entering the salon, she paused a moment under the peristyle of the
staircase, listening if any sound were breaking the silence of the
street. She smiled at Brigitte's husband, who was standing sentinel at
the door, and whose eyes seemed stupefied by the intensity of his
attention to the murmurs of the street and night.
Madame de Dey re-entered her salon, affecting gaiety, and began to
play loto with the young people; but after a while she complained of
feeling ill, and returned to her chimney-corner.
Such was the situation of affairs, and of people's minds in the house
of Madame de Dey, while along the road, between Paris and Cherbourg, a
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