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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

seeming avenue of escape, and at last, with a muttered oath, he straightened up and throwing back his shoulders in a ges- ture of defiance, he walked slowly and deliberately down the center of the courtyard. One of the prowling lions turned from the side wall and moved toward the center directly in the man's path, but Smith-Oldwick was committed to what he considered his one chance, for even temporary safety, and so he kept on, ignoring the presence of the beast. The lion slouched to his side and sniffed him and then, growling, he bared his teeth.

Smith-Oldwick drew the pistol from his shirt. "If he has


Tarzan the Untamed
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

a Gargantua to demolish some dozens of them.

Captain Nemo was evidently acquainted with the existence of this bivalve, and seemed to have a particular motive in verifying the actual state of this tridacne. The shells were a little open; the Captain came near and put his dagger between to prevent them from closing; then with his hand he raised the membrane with its fringed edges, which formed a cloak for the creature. There, between the folded plaits, I saw a loose pearl, whose size equalled that of a coco-nut. Its globular shape, perfect clearness, and admirable lustre made it altogether a jewel of inestimable value. Carried away by my curiosity, I stretched out my hand to seize it, weigh it, and touch it; but the Captain stopped me, made a sign of refusal,


20,000 Leagues Under the Sea
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

and the greatest living musician. The adjectives of contumely are easily transmuted into epithets of adulation, when a prominent ecclesiastic succumbs, like King Herod, to the fascination of a dancer.

It is not usually known in England that a young French naval officer, unaware that Dr. Strauss was composing an opera on the theme of Salome, wrote another music drama to accompany Wilde's text. The exclusive musical rights having been already secured by Dr. Strauss, Lieutenant Marriotte's work cannot be performed regularly. One presentation, however, was permitted at Lyons, the composer's native town, where I am told it made an extraordinary

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

quest of adventures, not so much for the pleasure of them as for the sake of having the story to tell afterwards."

"After all, you and the Marquise de Rochefide have paid the rent, and I do not think, from the way things are going here, that I ever pay yours."

"Who knows? Perhaps the same good luck that befell Mme. de Rochefide may come to you."

"Do you call it good luck to go back to one's husband?"

"No; only great luck. Come, I am listening."

And Mme. de la Baudraye read as follows:

"Scene--a splendid salon in the Rue de Chartres-du-Roule. One of