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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Westward Ho! by Charles Kingsley:

Caracas, at which place Don Guzman had been born. This of course led to much talk about the West Indies, and the Don was as much interested to find that Amyas had been one of Drake's world-famous crew, as Amyas was to find that his captive was the grandson of none other than that most terrible of man-hunters, Don Ferdinando de Soto, the conqueror of Florida, of whom Amyas had read many a time in Las Casas, "as the captain of tyrants, the notoriousest and most experimented amongst them that have done the most hurts, mischiefs, and destructions in many realms." And often enough his blood boiled, and he had much ado to recollect that the speaker was his guest, as Don Guzman chatted away about his grandfather's hunts

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde:

until one sees its beauty. Then, and then only, does it come into existence. At present, people see fogs, not because there are fogs, but because poets and painters have taught them the mysterious loveliness of such effects. There may have been fogs for centuries in London. I dare say there were. But no one saw them, and so we do not know anything about them. They did not exist till Art had invented them. Now, it must be admitted, fogs are carried to excess. They have become the mere mannerism of a clique, and the exaggerated realism of their method gives dull people bronchitis. Where the cultured catch an effect, the uncultured catch cold. And so, let us be humane, and invite Art to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne:

are entire skeletons. And yet I cannot understand the appearance of these quadrupeds in a granite cavern."

[1] These animals belonged to a late geological period, the Pliocene, just before the glacial epoch, and therefore could have no connection with the carboniferous vegetation. (Trans.)

"Why?"

"Because animal life existed upon the earth only in the secondary period, when a sediment of soil had been deposited by the rivers, and taken the place of the incandescent rocks of the primitive period."

"Well, Axel, there is a very simple answer to your objection that this soil is alluvial."


Journey to the Center of the Earth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Misalliance by George Bernard Shaw:

HYPATIA. Please dont say it may break your poor boy's heart. It's much more likely to break yours.

LORD SUMMERHAYS. Oh!

TARLETON. _[springing to his feet]_ Leave the room. Do you hear: leave the room.

PERCIVAL. Arnt we getting a little cross? Dont be angry, Mr Tarleton. Read Marcus Aurelius.

TARLETON. Dont you dare make fun of me. Take your aeroplane out of my vinery and yourself out of my house.

PERCIVAL. _[rising, to Hypatia]_ I'm afraid I shall have to dine at the Beacon, Patsy.