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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from All's Well That Ends Well by William Shakespeare:

FIRST SOLDIER. Nay, I'll read it first by your favour.

PAROLLES. My meaning in't, I protest, was very honest in the behalf of the maid; for I knew the young count to be a dangerous and lascivious boy, who is a whale to virginity, and devours up all the fry it finds.

BERTRAM. Damnable! both sides rogue!

FIRST SOLDIER. [Reads.]

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dreams by Olive Schreiner:

I asked God how it was I could not see the third.

God said, "It is seen only by those who climb it."

I said, "Do they all lead to one heaven?"

God said, "All Heaven is one: nevertheless some parts are higher than others; those who reach the higher may always go down to rest in the lower; but those in the lower may not have strength to climb to the higher; nevertheless the light is all one."

And I saw over the bridge nearest me, which was wider than the other, countless footmarks go. I asked God why so many went over it.

God said, "It slopes less deeply, and leads to the first heaven."

And I saw that some of the footmarks were of feet returning. I asked God

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Noble Kinsmen by William Shakespeare:

Come what can come, The worst is death; I will not leave the Kingdome. I know mine owne is but a heape of ruins, And no redresse there; if I goe, he has her. I am resolu'd an other shape shall make me, Or end my fortunes. Either way, I am happy: Ile see her, and be neere her, or no more.

[Enter 4. Country people, & one with a garlond before them.]

1. COUNTREYMAN

My Masters, ile be there, that's certaine

2. COUNTREYMAN

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays of Travel by Robert Louis Stevenson:

my rug about seven bells, there was no one to be seen but the watch. That chimerical terror of good night-air, which makes men close their windows, list their doors, and seal themselves up with their own poisonous exhalations, had sent all these healthy workmen down below. One would think we had been brought up in a fever country; yet in England the most malarious districts are in the bedchambers.

I felt saddened at this defection, and yet half-pleased to have the night so quietly to myself. The wind had hauled a little ahead on the starboard bow, and was dry but chilly. I found a shelter near the fire-hole, and made myself snug for the night.

The ship moved over the uneven sea with a gentle and cradling