The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther: able to remove the very least of venial sins, so far as its
guilt is concerned.
77. It is said that even St. Peter, if he were now Pope, could
not bestow greater graces; this is blasphemy against St. Peter
and against the pope.
78. We say, on the contrary, that even the present pope, and
any pope at all, has greater graces at his disposal; to wit,
the Gospel, powers, gifts of healing, etc., as it is written
in I. Corinthians xii.
79. To say that the cross, emblazoned with the papal arms,
which is set up [by the preachers of indulgences], is of equal
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot: dark brightness. And the cheek was never dimpled with smiles now.
It was the same rounded, pouting, childish prettiness, but with
all love and belief in love departed from it--the sadder for its
beauty, like that wondrous Medusa-face, with the passionate,
passionless lips.
At last she was among the fields she had been dreaming of, on a
long narrow pathway leading towards a wood. If there should be a
pool in that wood! It would be better hidden than one in the
fields. No, it was not a wood, only a wild brake, where there had
once been gravel-pits, leaving mounds and hollows studded with
brushwood and small trees. She roamed up and down, thinking there
 Adam Bede |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Apology by Xenophon: wished. And as to novel divinities, how, pray, am I supposed to
introduce them by stating that I have a voice[21] from God which
clearly signifies to me what I ought do do? Why, what else do those
who make use of the cries of birds or utterences of men draw their
conclusions from if not from voices? Who will deny that the thunder
has a voice and is a very mighty omen;[22] and the priestess on her
tripod at Pytho,[23] does not she also proclaim by voice the messages
from the god? The god, at any rate, has foreknowledge, and premonishes
those whom he will of what is about to be. That is a thing which all
the world believes and asserts even as I do. Only, when they describe
these premonitions under the name of birds and utterances, tokens[24]
 The Apology |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Time Machine by H. G. Wells: motionless.
The Editor stood up with a sigh. `What a pity it is you're
not a writer of stories!' he said, putting his hand on the Time
Traveller's shoulder.
`You don't believe it?'
`Well----'
`I thought not.'
The Time Traveller turned to us. `Where are the matches?' he
said. He lit one and spoke over his pipe, puffing. `To tell you
the truth . . . I hardly believe it myself. . . . And yet . . .'
His eye fell with a mute inquiry upon the withered white
 The Time Machine |